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{{SubpageNav|Curiosities of Lotus Asia|Chapter 15|Chapter 17}}
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| width=50% |「外の世界」の道具をも扱う香霖堂。そこには、コンピュータという名前の式神が舞い込むこともある。けれども幻想郷の住人たちがその式神を使いこなすには、どうしようもないくらい「何か」が欠けていて――。絶好調の東方シリーズ連載。いつになく悩ましげな霖之助が語ってみせる、ある秘めた決意とは……?
 
|Kourindo, the shop that deals in items from “the outside world." And it was there that a type of shikigami called "a computer" happened to appear. But in order for the inhabitants of Gensokyo to be able to use these shikigami, an indispensable “something” was lacking… In this chapter of the popular Touhou Project serialization, an unusually troubled Rinnosuke tries to speak... but what is he keeping to himself?
[[File:Curiosities of lotus asia 15 01.jpg|thumb]]
|-
[[File:Curiosities of lotus asia 15 02.jpg|thumb]]
! style="font-size:large" | 働かない式神
[[File:Curiosities of lotus asia 15 03.jpg|thumb]]
! style="font-size:large" | Non-Functional Shikigami
[[File:Curiosities of lotus asia 15 04.jpg|thumb]]
{| border="1" cellpadding="5" style="border-collapse: collapse;"
| width=50% | 「外の世界」の道具をも扱う香霖堂。そこには、コンピュータという名前の式神が舞い込むこともある。けれども幻想郷の住人たちがその式神を使いこなすには、どうしようもないくらい「何か」が欠けていて――。絶好調の東方シリーズ連載。いつになく悩ましげな霖之助が語ってみせる、ある秘めた決意とは……?
| Kourindo, the shop that deals in items from “the outside world." And it was there that a type of shikigami called "a computer" happened to appear. But in order for the inhabitants of Gensokyo to be able to use these shikigami, an indispensable “something” was lacking… In this chapter of the popular Touhou Project serialization, an unusually troubled Rinnosuke tries to speak... but what is he keeping to himself?
|-
|-
| これといって何か反応するという訳ではないが、僕は売り物のキーボードを叩いていた。キーボードとは、コンピュータという道具の一部であり、これでもかといわんばかりに無数のボタンが付いている道具だ。売りものだから常に綺麗にしておきたいところだが、このキーボードの掃除のし難さは群を抜いており、すぐに埃が詰まる。非常に人間味のない形をしているといわざるを得ない。
! style="font-size:large" | 働かない式神
|Not that I was expecting any kind of response from it, but I was dusting the keyboard I had for sale. The keyboard was part of an item called a computer, and the most I could say about it was that it was a tool with almost too many buttons. I always like to keep my merchandise clean, but these keyboards were particularly difficult to maintain, as they would soon become covered in dust. They definitely weren’t made in a shape that is convenient for people.
! style="font-size:large" | Non-Functional Shikigami
|-
|-
| コンピュータは、うちの商品の中でも入荷率、つまり幻想郷で拾得する数が高く、それでいて欲しがる人は少ない厄介な代物である。しかもそこそこの大きさで場所を取る。最近は、コンピュータを見つけても余程興味を惹かれる形をしていない限り拾わないことにしている。
|  これといって何か反応するという訳ではないが、僕は売り物のキーボードを叩いていた。キーボードとは、コンピュータという道具の一部であり、これでもかといわんばかりに無数のボタンが付いている道具だ。売りものだから常に綺麗にしておきたいところだが、このキーボードの掃除のし難さは群を抜いており、すぐに埃が詰まる。非常に人間味のない形をしているといわざるを得ない。
|Amongst my merchandise, the rate of arrival of computers, which is to say the number of them that were recovered in Gensokyo, was quite high. And as there were few who wanted one, they are quite problematic. On top of that, they are big, so they take up great deal of space. As of late, I’m not even picking up the ones I find unless their shape attracts my eye.
| Not that I was expecting any kind of response from it, but I was dusting the keyboard I had for sale. The keyboard was part of an item called a computer, and the most I could say about it was that it was a tool with almost too many buttons. I always like to keep my merchandise clean, but these keyboards were particularly difficult to maintain, as they would soon become covered in dust. They definitely weren’t made in a shape that is convenient for people.
|-
|-
| &nbsp;
|  コンピュータは、うちの商品の中でも入荷率、つまり幻想郷で拾得する数が高く、それでいて欲しがる人は少ない厄介な代物である。しかもそこそこの大きさで場所を取る。最近は、コンピュータを見つけても余程興味を惹かれる形をしていない限り拾わないことにしている。
|
| Amongst my merchandise, the rate of arrival of computers, which is to say the number of them that were recovered in Gensokyo, was quite high. And as there were few who wanted one, they are quite problematic. On top of that, they are big, so they take up great deal of space. As of late, I’m not even picking up the ones I find unless their shape attracts my eye.
|-
|-
| コンピュータとは使役者の命令通りに動く道具、所謂外の世界における式神のことだが、その異常なまでに複雑な構造と面白みのない外見は、外の世界の文化のあり方を物語っているようだった。
| colspan="2" |
|Computers are tools that behave according to orders from their masters; you could say they are the outside world’s shikigami. But their strange and complicated construction, as well as their uninteresting appearance speak volumes about the culture of the outside world.
|-
|-
| 幻想郷では式神とはいえ体面を気にしていて、狐なり猫なりと多種多様な姿をしていて面白いものが多い。それもその筈、本来の式神とは、元々式神となる前の姿が存在し、そこに必要な機能を与えてやることで形成されるものだ。式神の道具としての部分が一番重要なことは当たり前だが、式神そのものの体面がなくなれば本末転倒である。外の世界では、外面より内面ばかりを気にするようになってしまったのだろうか。それは些か心に余裕がなさすぎるのではないか。
|  コンピュータとは使役者の命令通りに動く道具、所謂外の世界における式神のことだが、その異常なまでに複雑な構造と面白みのない外見は、外の世界の文化のあり方を物語っているようだった。
|In Gensokyo, a shikigami’s appearance is an important matter. They could be a fox, or a cat, or many other kinds of interesting forms. Which is only to be expected, since the shikigami already had their original forms before becoming shikigami, and became one after being given the necessary abilities. Of course, the tool facet of a shikigami is its most important part, but for a shikigami to look like a mere tool would simply be missing the point. I guess that in the outside world they only care about the contents, and not the appearance. But isn't that a little too impersonal?
| Computers are tools that behave according to orders from their masters; you could say they are the outside world’s shikigami. But their strange and complicated construction, as well as their uninteresting appearance speak volumes about the culture of the outside world.
|-
|-
| &nbsp;
|  幻想郷では式神とはいえ体面を気にしていて、狐なり猫なりと多種多様な姿をしていて面白いものが多い。それもその筈、本来の式神とは、元々式神となる前の姿が存在し、そこに必要な機能を与えてやることで形成されるものだ。式神の道具としての部分が一番重要なことは当たり前だが、式神そのものの体面がなくなれば本末転倒である。外の世界では、外面より内面ばかりを気にするようになってしまったのだろうか。それは些か心に余裕がなさすぎるのではないか。
|
| In Gensokyo, a shikigami’s appearance is an important matter. They could be a fox, or a cat, or many other kinds of interesting forms. Which is only to be expected, since the shikigami already had their original forms before becoming shikigami, and became one after being given the necessary abilities. Of course, the tool facet of a shikigami is its most important part, but for a shikigami to look like a mere tool would simply be missing the point. I guess that in the outside world they only care about the contents, and not the appearance. But isn't that a little too impersonal?
|-
|-
|――カランカラン
| colspan="2" |
|''Knock, knock''
|-
|-
|「おう、少し肌寒くなってきたな。半袖の季節ももう終わりかな」
| ――カランカラン
|“Hey, it's gettin' pretty chilly, huh? Looks like the season of short sleeves is almost over.”
| ''Knock, knock''
|-
|-
|「ああ、君はまだ半袖だったのか。いつまで夏のつもりで居るんだい? もうそろそろ暖房でも出さないと寒いくらいだよ」
| 「おう、少し肌寒くなってきたな。半袖の季節ももう終わりかな」
|“Ah, are you still wearing short sleeves? How long did you think Summer was going to last? Soon it’ll get cold enough for me to have to bring out the heater.”
| “Hey, it's gettin' pretty chilly, huh? Looks like the season of short sleeves is almost over.”
|-
|-
|「あーいや、私も寒がりな方だが暖房はまだ速い、って何だ? その珈琲は。そんな口の細い瓶に入っている珈琲なんて珍しいな」
| 「ああ、君はまだ半袖だったのか。いつまで夏のつもりで居るんだい? もうそろそろ暖房でも出さないと寒いくらいだよ」
|“Nah, even though I’m weak to cold, I don't think ya need that yet... But hey! Isn't it strange to put coffee in a bottle a small mouth like that?
| “Ah, are you still wearing short sleeves? How long did you think Summer was going to last? Soon it’ll get cold enough for me to have to bring out the heater.”
|-
|-
| 魔理沙が珈琲と指摘した飲みものは、名前は似ているが珈琲ではなくコーラという飲みものである。外の世界の飲みものだ。飲みものぐらい使用方法がわからなくても、用途さえわかれば飲むことはできる。
| 「あーいや、私も寒がりな方だが暖房はまだ速い、って何だ? その珈琲は。そんな口の細い瓶に入っている珈琲なんて珍しいな」
|The drink Marisa had just identified as coffee, while having a somewhat similar name, wasn’t actually coffee, but a drink called cola, a drink from the outside world. At least for drinks you don’t have to know how to use it, just what its use is, in order to drink it.
| “Nah, even though I’m weak to cold, I don't think ya need that yet... But hey! Isn't it strange to put coffee in a bottle a small mouth like that?”
|-
|-
|「なんだ? コーラって……ってあんまり拾いもんは飲むなよ?」
|  魔理沙が珈琲と指摘した飲みものは、名前は似ているが珈琲ではなくコーラという飲みものである。外の世界の飲みものだ。飲みものぐらい使用方法がわからなくても、用途さえわかれば飲むことはできる。
|“What? Cola, you say... But hey, ya shouldn't just drink things you find lyin' around, yeah?”
| The drink Marisa had just identified as coffee, while having a somewhat similar name, wasn’t actually coffee, but a drink called cola, a drink from the outside world. At least for drinks you don’t have to know how to use it, just what its use is, in order to drink it.
|-
|-
|「大丈夫だよ。これは売りものだし、香霖堂は拾いものを売る店だから」
| 「なんだ? コーラって……ってあんまり拾いもんは飲むなよ?」
|“Don’t worry, this is for sale. Because here at Kourindo we sell the items we pick up.”  
| “What? Cola, you say... But hey, ya shouldn't just drink things you find lyin' around, yeah?
|-
|-
| &nbsp;
| 「大丈夫だよ。これは売りものだし、香霖堂は拾いものを売る店だから」
|
| “Don’t worry, this is for sale. Because here at Kourindou we sell the items we pick up.”
|-
|-
| 我ながら何が大丈夫なのかよくわからなかったが、魔理沙は納得したようで机の上に腰掛けた。
| colspan="2" |
|While she didn’t entirely understand my logic herself, Marisa seemed to agree as she sat atop a desk.
|-
|-
| 日が傾くのが早くなる一方である。既に空は赤く、有無を言わさず家に帰りたくなる色をしている。秋の日は釣瓶落としとはよく言ったものだ。だが、釣瓶落としの速さはスピードの速さであり、秋の日が沈むのは時間の早さだから釣り合いが取れていないと僕は思う。もしかしたら今の解釈は間違っていて、もっと深い意味があるのかも知れない。今度暇な時に考えてみることにしよう。
|  我ながら何が大丈夫なのかよくわからなかったが、魔理沙は納得したようで机の上に腰掛けた。
|The days were starting to get shorter. The sky was already turning red, the kind of color that prompts one to head back home. It’s often said that in autumn the days fall as fast as a bucket. But since that means the speed in which the bucket falls, it doesn’t quite go match the idea of the sun setting earlier. Maybe this explanation is wrong, and there’s a more profound meaning to it. I’ll think about it next time I have time.
| While she didn’t entirely understand my logic herself, Marisa seemed to agree as she sat atop a desk.
|-
|-
| &nbsp;
|  日が傾くのが早くなる一方である。既に空は赤く、有無を言わさず家に帰りたくなる色をしている。秋の日は釣瓶落としとはよく言ったものだ。だが、釣瓶落としの速さはスピードの速さであり、秋の日が沈むのは時間の早さだから釣り合いが取れていないと僕は思う。もしかしたら今の解釈は間違っていて、もっと深い意味があるのかも知れない。今度暇な時に考えてみることにしよう。
|
| The days were starting to get shorter. The sky was already turning red, the kind of color that prompts one to head back home. It’s often said that in autumn the days fall as fast as a bucket. But since that means the speed in which the bucket falls, it doesn’t quite go match the idea of the sun setting earlier. Maybe this explanation is wrong, and there’s a more profound meaning to it. I’ll think about it next time I have time.
|-
|-
|「そうそう。そこにあるコンピュータ。一台もらえないか?」
| colspan="2" |
|“Oh yeah. Can ya give me one of those computers over there?”
|-
|-
|「おおそうか。買ってくれるんだね? このお買い得商品を」
| 「そうそう。そこにあるコンピュータ。一台もらえないか?」
|“Oh, really? You saying you want to buy one? I’ll give you a bargain...
| “Oh yeah. Can ya give me one of those computers over there?”
|-
|-
|「いや、金はないけど、ちょっと式神っていうのも面白そうだからな」
| 「おおそうか。買ってくれるんだね? このお買い得商品を」
|“Nope, don't got any money. I just thought havin' a shikigami would be fun.”
| “Oh, really? You saying you want to buy one? I’ll give you a bargain...”
|-
|-
|「金はないって、まあツケでもいいけど……」
| 「いや、金はないけど、ちょっと式神っていうのも面白そうだからな」
|“No money, you say... Well, I guess I can just put it on your tab...”
| “Nope, don't got any money. I just thought havin' a shikigami would be fun.”
|-
|-
| 買う気がないのに商品を物色することをひやかしと言うが、代金を払う気がないのに商品を持って行こうとすることはなんと呼べばいいのか。魔理沙買いとでも言うか。
| 「金はないって、まあツケでもいいけど……」
|If people who come to look at stuff they don’t intend to buy are called “window shoppers”, then what do you call people who come to get things they don’t intend to pay for? Maybe “Marisa shoppers” would be suitable?
| “No money, you say... Well, I guess I can just put it on your tab...”
|-
|-
|「ああツケでもいいぜ」
|  買う気がないのに商品を物色することをひやかしと言うが、代金を払う気がないのに商品を持って行こうとすることはなんと呼べばいいのか。魔理沙買いとでも言うか。
|“Yeah, sure. That works.”
| If people who come to look at stuff they don’t intend to buy are called “window shoppers”, then what do you call people who come to get things they don’t intend to pay for? Maybe “Marisa shoppers” would be suitable?
|-
|-
|「ツケでも、って他にどんな選択肢があるのかわからないが、とにかくちゃんと払ってもらうからな。さて、コンピュータも幾つか種類があるが、大きなコンピュータ、小さなコンピュータ、君ならどちらを選ぶかい?」
| 「ああツケでもいいぜ」
|“All right, I don’t even know what other choice I would have anyway... But make sure you pay it off later. Now then, I have many different kinds of computers, big ones, small ones... What kind do you want?”  
| “Yeah, sure. That works.”
|-
|-
|「そりゃ大きいのだな。大きい方が強いんだろ?」
| 「ツケでも、って他にどんな選択肢があるのかわからないが、とにかくちゃんと払ってもらうからな。さて、コンピュータも幾つか種類があるが、大きなコンピュータ、小さなコンピュータ、君ならどちらを選ぶかい?」
|“Gimme a big'un. Bigger's stronger, right?”
| “All right, I don’t even know what other choice I would have anyway... But make sure you pay it off later. Now then, I have many different kinds of computers, big ones, small ones... What kind do you want?”
|-
|-
| 魔理沙は大きいコンピュータをどうにか抱え、既に薄暗くなった外へ帰っていった。小さな彼女には不相応な大きさの道具だが、それを力強く持っている姿を見ると非常に魔理沙らしいと思ってしまうから不思議である。道具は通常、大きいものほど仕組みは単純なものである。魔理沙が持っていった大きなコンピュータも見た目はシンプルなものである。しかし、驚くことにその中身は複雑怪奇であり、幻想郷のものの手に負えない代物である。
| 「そりゃ大きいのだな。大きい方が強いんだろ?」
|Marisa had already hefted a big computer in her arms and walked out into the evening with it. It was an unsuitably large item for such a small girl, but when watching her emboldened figure carrying it, it felt extremely Marisa-like. It was kind of mysterious. Tools were usually simpler the bigger they were. And Marisa’s big computer looked quite simple at first glance. However, its insides were surprisingly bizarre and complex, more than anything else in Gensokyo.
| “Gimme a big'un. Bigger's stronger, right?”
|-
|-
| このコンピュータのように複雑な式神は、外の技術なくしては創れない。コンピュータに限らず、食器から新聞に使うような紙切れまで、殆どの道具は外の世界の技術の賜物だ。妖怪が日常食べる人間も人間の心も、その餌食となるものは外の世界の人間である。閉鎖空間である幻想郷は、外の恩恵により保っているようなものである。よく「長いものには巻かれよ」と言うが、長いものに巻かれる方がいいというのは、決して楽だからとか安全だからとかではない。すぐ小さな所へ逃げてしまう堕落した己を鍛え直すための教訓である。己をより大きな所に置き、視野を広くする方が学べることは多いからだ。
|  魔理沙は大きいコンピュータをどうにか抱え、既に薄暗くなった外へ帰っていった。小さな彼女には不相応な大きさの道具だが、それを力強く持っている姿を見ると非常に魔理沙らしいと思ってしまうから不思議である。道具は通常、大きいものほど仕組みは単純なものである。魔理沙が持っていった大きなコンピュータも見た目はシンプルなものである。しかし、驚くことにその中身は複雑怪奇であり、幻想郷のものの手に負えない代物である。
|Shikigami as complex as computers could only be created by the skills of the outside world. And not only computers, but from tableware to the sheets of paper used for newspaper, most of my items are the results of the technology in the outside world. And the humans that the youkai usually prey upon are humans from the outside world. As a closed space, Gensokyo seems to have warded itself against the benefits from the outside. They say that “''[[Talk:Curiosities_of_Lotus_Asia:_Chapter_15|If you can’t beat them, join them.]]''”, but you shouldn’t join something stronger just because it’s easier or safer. It’s a moral in to train those that have become weakened by cowardice, scurrying into tiny spaces like mice. When you put yourself with something bigger than you are, your outlook widens and you have many more opportunities for learning.  
| Marisa had already hefted a big computer in her arms and walked out into the evening with it. It was an unsuitably large item for such a small girl, but when watching her emboldened figure carrying it, it felt extremely Marisa-like. It was kind of mysterious. Tools were usually simpler the bigger they were. And Marisa’s big computer looked quite simple at first glance. However, its insides were surprisingly bizarre and complex, more than anything else in Gensokyo.
|-
|-
| 閉鎖空間である幻想郷に閉じこもっていると、次第に外の世界の恩恵に与っていることを忘れてしまう。幻想郷に限らず、己の置かれた場所が小さければ小さいほど別の大きなものの恩恵に気が付かない。そんな状態なのに、外の世界より幻想郷の方が優れていると思うようになったら、それは驕りである。人は小さい所に居るものほど、よく驕り、向上心を失う。今の幻想郷を見てみればわかるように、人間も妖怪も堕落した生活を送っているのだ。
|  このコンピュータのように複雑な式神は、外の技術なくしては創れない。コンピュータに限らず、食器から新聞に使うような紙切れまで、殆どの道具は外の世界の技術の賜物だ。妖怪が日常食べる人間も人間の心も、その餌食となるものは外の世界の人間である。閉鎖空間である幻想郷は、外の恩恵により保っているようなものである。よく「長いものには巻かれよ」と言うが、長いものに巻かれる方がいいというのは、決して楽だからとか安全だからとかではない。すぐ小さな所へ逃げてしまう堕落した己を鍛え直すための教訓である。己をより大きな所に置き、視野を広くする方が学べることは多いからだ。
|By shutting itself into a closed space, Gensokyo gradually forgets about the benefits it gets from the outside world. And this is not limited to Gensokyo, the smaller the place you put yourself in, the more you don’t notice the benefits from the bigger things. In this kind of situation, thinking that Gensokyo is somehow better than the outside world is but arrogance. When living in a small place, people get arrogant and lose the drive to improve themselves. By looking at Gensokyo today, one can understand how both humans and youkai are just carrying on with their degenerate lifestyles.
| Shikigami as complex as computers could only be created by the skills of the outside world. And not only computers, but from tableware to the sheets of paper used for newspaper, most of my items are the results of the technology in the outside world. And the humans that the youkai usually prey upon are humans from the outside world. As a closed space, Gensokyo seems to have warded itself against the benefits from the outside. They say that “''If you can’t beat them, join them.''”{{ref|join}}, but you shouldn’t join something stronger just because it’s easier or safer. It’s a moral in to train those that have become weakened by cowardice, scurrying into tiny spaces like mice. When you put yourself with something bigger than you are, your outlook widens and you have many more opportunities for learning.
|-
|-
| 僕は、いつかは自分の修行のために外の世界に生きたいと思っている。つまり長いものに巻かれたいということだ。そこで自分を磨き、今の僕の知識をさらに活かすことを夢見ているのだ。
|  閉鎖空間である幻想郷に閉じこもっていると、次第に外の世界の恩恵に与っていることを忘れてしまう。幻想郷に限らず、己の置かれた場所が小さければ小さいほど別の大きなものの恩恵に気が付かない。そんな状態なのに、外の世界より幻想郷の方が優れていると思うようになったら、それは驕りである。人は小さい所に居るものほど、よく驕り、向上心を失う。今の幻想郷を見てみればわかるように、人間も妖怪も堕落した生活を送っているのだ。
|Me, I think that, for the sake of my search for knowledge, I would like to live in the outside world someday. In other words, I want to join those I can’t beat. I dream of improving myself and putting my knowledge to good use there.  
| By shutting itself into a closed space, Gensokyo gradually forgets about the benefits it gets from the outside world. And this is not limited to Gensokyo, the smaller the place you put yourself in, the more you don’t notice the benefits from the bigger things. In this kind of situation, thinking that Gensokyo is somehow better than the outside world is but arrogance. When living in a small place, people get arrogant and lose the drive to improve themselves. By looking at Gensokyo today, one can understand how both humans and youkai are just carrying on with their degenerate lifestyles.
|-
|-
| &nbsp;
|  僕は、いつかは自分の修行のために外の世界に生きたいと思っている。つまり長いものに巻かれたいということだ。そこで自分を磨き、今の僕の知識をさらに活かすことを夢見ているのだ。
|
| Me, I think that, for the sake of my search for knowledge, I would like to live in the outside world someday. In other words, I want to join those I can’t beat. I dream of improving myself and putting my knowledge to good use there.
|-
|-
| 最近拾うコンピュータは、さまざまな用途の中でも特に情報伝達の機能に特化していると僕の能力がいう。こんな四角い箱で自ら動くとは思えないような式神が、一度動き出せばもの凄いスピードで情報を集めてきてくれるというのだが……僕にはその姿が想像しがたい。
| colspan="2" |
|The computers I've been collecting lately, amongst their various functions, seem to specialize in transmission of information – or so my ability tells. You wouldn’t think that this square box is a shikigami capable of moving on its own, but once it moves, it is said to be able to gather information at an incredible speed. However... this is something I find difficult to imagine.
|-
|-
| 情報を集める式神を創りたければ、嘘でも天狗のような姿にすればいいのである。そうすれば最初に魅力的なコンピュータが生まれ、後に本当に情報を集める機能が生まれるはずである。その考え方が幻想郷の普遍的な真理なのだ。
|  最近拾うコンピュータは、さまざまな用途の中でも特に情報伝達の機能に特化していると僕の能力がいう。こんな四角い箱で自ら動くとは思えないような式神が、一度動き出せばもの凄いスピードで情報を集めてきてくれるというのだが……僕にはその姿が想像しがたい。
|If one were to make a shikigami that collected information, it should be in the shape of a tengu, even if were just a fake. That way it would not only be a fascinating computer, but one that would certainly possess the ability to gather information. That was the universal way of thinking in Gensokyo.
| The computers I've been collecting lately, amongst their various functions, seem to specialize in transmission of information – or so my ability tells. You wouldn’t think that this square box is a shikigami capable of moving on its own, but once it moves, it is said to be able to gather information at an incredible speed. However... this is something I find difficult to imagine.
|-
|-
| &nbsp;
|  情報を集める式神を創りたければ、嘘でも天狗のような姿にすればいいのである。そうすれば最初に魅力的なコンピュータが生まれ、後に本当に情報を集める機能が生まれるはずである。その考え方が幻想郷の普遍的な真理なのだ。
|
| If one were to make a shikigami that collected information, it should be in the shape of a tengu, even if were just a fake. That way it would not only be a fascinating computer, but one that would certainly possess the ability to gather information. That was the universal way of thinking in Gensokyo.
|-
|-
| 寝る前にコーラの空き瓶を見た。コーラは少し口が酸っぱくなるが瓶の形がどこか楽しげで見て楽しめるという点では、これは幻想郷向きな飲みものかもしれない。外の世界の式神もこのくらい面白みのある外見なら、もっとうちの店でも売り上げが伸びたことだろう。そんなことを思いつつ夜を過ごした。
| colspan="2" |
|Before going to sleep, I took a look at the empty cola bottle. This ‘cola’ leaves a bit of an acrid taste in your mouth, but its bottle’s shape is certainly pleasant to look at. Maybe it's a drink very suited to Gensokyo. If the outside world shikigami had interesting appearances like this, they would sell a lot more at my shop. And so I spent the evening, thinking of these things.
|-
|-
| &nbsp;
|  寝る前にコーラの空き瓶を見た。コーラは少し口が酸っぱくなるが瓶の形がどこか楽しげで見て楽しめるという点では、これは幻想郷向きな飲みものかもしれない。外の世界の式神もこのくらい面白みのある外見なら、もっとうちの店でも売り上げが伸びたことだろう。そんなことを思いつつ夜を過ごした。
|
| Before going to sleep, I took a look at the empty cola bottle. This ‘cola’ leaves a bit of an acrid taste in your mouth, but its bottle’s shape is certainly pleasant to look at. Maybe it's a drink very suited to Gensokyo. If the outside world shikigami had interesting appearances like this, they would sell a lot more at my shop. And so I spent the evening, thinking of these things.
|-
|-
| &nbsp;
| colspan="2" |
|
|-
|-
|――カランカラッ
| ――カランカラッ
|''Knock, knock.''
| ''Knock, knock.''
|-
|-
|「霖之助さん。居るわよね?」
| 「霖之助さん。居るわよね?」
|“Rinnosuke, are you there?”
| “Rinnosuke, are you there?”
|-
|-
|「ああ居るよ」
| 「ああ居るよ」
|“Yes, I am.”
| “Yes, I am.”
|-
|-
|「魔理沙から聞いたわよ。何か拾いもので食いつないでいるありさまだって?」
| 「魔理沙から聞いたわよ。何か拾いもので食いつないでいるありさまだって?」
|“I just heard from Marisa... So you've been reduced to surviving by eating what you pick up now?”
| “I just heard from Marisa... So you've been reduced to surviving by eating what you pick up now?”
|-
|-
| コンピュータがなくても幻想郷の情報伝達は異常に早い。昨日のことだというのに既に霊夢にまで情報が伝わっている。だが、その情報は既に変化し別のものになっているのだが、コンピュータが集める情報もやはり変化するものだろうか。
|  コンピュータがなくても幻想郷の情報伝達は異常に早い。昨日のことだというのに既に霊夢にまで情報が伝わっている。だが、その情報は既に変化し別のものになっているのだが、コンピュータが集める情報もやはり変化するものだろうか。
|Even without computers, news travels surprisingly fast in Gensokyo. It was just yesterday, but it had already reached Reimu. However, this information had already changed into something different.. I wonder if information gathered by computers also gets changed like this.
| Even without computers, news travels surprisingly fast in Gensokyo. It was just yesterday, but it had already reached Reimu. However, this information had already changed into something different.. I wonder if information gathered by computers also gets changed like this.
|-
|-
|「拾いもので食いつないでいるって、僕はただコーラを飲んでいただけだよ」
| 「拾いもので食いつないでいるって、僕はただコーラを飲んでいただけだよ」
|“Eating what I pick up? All I did was drink some cola.”
| “Eating what I pick up? All I did was drink some cola.”
|-
|-
|「コーラ? なんだかよくわからないけど拾いものでしょう? 余り得体の知れないものは飲まない方が……」
| 「コーラ? なんだかよくわからないけど拾いものでしょう? 余り得体の知れないものは飲まない方が……」
|“Cola? I don’t really know what that is, but it’s something you picked up, right? You shouldn’t just drink things you're not familiar with...”  
| “Cola? I don’t really know what that is, but it’s something you picked up, right? You shouldn’t just drink things you're not familiar with...”
|-
|-
| 霊夢はコーラの空き瓶を手に持ち訝しんでいた。コーラの内面は黒い飲みものである。だが、外面である瓶に面白みのある形を用意し、外面を軽視していない。この辺には高い智慧を感じる。コーラを創った人間とコンピュータを創った人間は本当に同じ人間なのだろうか。
|  霊夢はコーラの空き瓶を手に持ち訝しんでいた。コーラの内面は黒い飲みものである。だが、外面である瓶に面白みのある形を用意し、外面を軽視していない。この辺には高い智慧を感じる。コーラを創った人間とコンピュータを創った人間は本当に同じ人間なのだろうか。
|Reimu was holding the empty cola bottle with a suspicious look on her face. On the inside, it was just a dark liquid, but on the outside, its bottle was made in such an interesting shape that you couldn’t ignore it. I could sense a great wisdom in this. I wonder if the people who created computers and the people who created cola were the same.
| Reimu was holding the empty cola bottle with a suspicious look on her face. On the inside, it was just a dark liquid, but on the outside, its bottle was made in such an interesting shape that you couldn’t ignore it. I could sense a great wisdom in this. I wonder if the people who created computers and the people who created cola were the same.
|-
|-
| &nbsp;
| colspan="2" |
|
|-
|-
|「それから昨日、魔理沙がコンピュータを手に入れたって喜んでいたけど、あれってこの店の売りものでしょ? 勝手に持って行っているとしたら一応報告だけでもしておかないと……」
| 「それから昨日、魔理沙がコンピュータを手に入れたって喜んでいたけど、あれってこの店の売りものでしょ? 勝手に持って行っているとしたら一応報告だけでもしておかないと……」
|“So yesterday, Marisa was really happy about getting a computer. She got it from this store, right? If she just took one, you should have at least told me too....”  
| “So yesterday, Marisa was really happy about getting a computer. She got it from this store, right? If she just took one, you should have at least told me too....”
|-
|-
|「ああ、それは売ったんだよ。別に持って行かれた訳じゃないさ。ただ、アレを手に入れたところで何も起きないだろうね。最近わかってきたことだが、あの式神は我々のよく知る式神とは少し違うところがあるんだ」
| 「ああ、それは売ったんだよ。別に持って行かれた訳じゃないさ。ただ、アレを手に入れたところで何も起きないだろうね。最近わかってきたことだが、あの式神は我々のよく知る式神とは少し違うところがあるんだ」
|“Actually, I sold her that. She didn’t just take it away. But I don’t think anything will happen just because she has one. I just recently realized, but these shikigami are a little different from the kind of shikigami we know”.
| “Actually, I sold her that. She didn’t just take it away. But I don’t think anything will happen just because she has one. I just recently realized, but these shikigami are a little different from the kind of shikigami we know”.
|-
|-
|「見た目でしょ?」
| 「見た目でしょ?」
|“Can’t you tell just by looking?”
| “Can’t you tell just by looking?”
|-
|-
|「見た目も……まぁ確かにそうだが、それより概念が異なる。通常我々のいう式神とは、『パターンを創ることで心を道具に変えるもの』だ。つまり幻想が実体を生むものなんだ」
| 「見た目も……まぁ確かにそうだが、それより概念が異なる。通常我々のいう式神とは、『パターンを創ることで心を道具に変えるもの』だ。つまり幻想が実体を生むものなんだ」
|“Well... I suppose you certainly can. But rather than just that, they are different in concept. What we usually call a shikigami is a ‘spirit made into tool by creating a pattern’. In other words, they are created by turning fantasy into reality.”  
| “Well... I suppose you certainly can. But rather than just that, they are different in concept. What we usually call a shikigami is a ‘spirit made into tool by creating a pattern’. In other words, they are created by turning fantasy into reality.”
|-
|-
|「式神にワンパターンな奴が多いのはその所為ね」
| 「式神にワンパターンな奴が多いのはその所為ね」
|“That’s why you see so many with one-pattern minds.”
| “That’s why you see so many with one-pattern minds.”
|-
|-
|「だが、このコンピュータは自ら動く心を持っているようには見えない。最初から道具なんだよ。僕はこれを、『パターンを創ることで道具を心に変えるもの』だと想像する。つまり実体が幻想を生むものということだ」
| 「だが、このコンピュータは自ら動く心を持っているようには見えない。最初から道具なんだよ。僕はこれを、『パターンを創ることで道具を心に変えるもの』だと想像する。つまり実体が幻想を生むものということだ」
|“However, I can’t really see these computers as having a spirit of their own. They were tools from the beginning. I imagine them more as a ‘tool made into spirit by creating a pattern’. In other words, they are created by turning reality into fantasy.”
| “However, I can’t really see these computers as having a spirit of their own. They were tools from the beginning. I imagine them more as a ‘tool made into spirit by creating a pattern’. In other words, they are created by turning reality into fantasy.”
|-
|-
|「ピンと来ないわねえ。自分で動く人形のようなものかしら?」
| 「ピンと来ないわねえ。自分で動く人形のようなものかしら?」
|“I don’t get it. Like dolls that move on their own, you mean?”
| “I don’t get it. Like dolls that move on their own, you mean?”
|-
|-
|「外の世界では幻想というものは実在しない。いや、実在しないものを幻想と呼んでいるんだ。だからこそ人間は幻想を生む道具を生み出したのだろう」
| 「外の世界では幻想というものは実在しない。いや、実在しないものを幻想と呼んでいるんだ。だからこそ人間は幻想を生む道具を生み出したのだろう」
|“In the outside world, things of fantasy don’t exist. Or rather, things that don’t exist are called fantasy. That’s why humans invented tools that can create fantasies.”
| “In the outside world, things of fantasy don’t exist. Or rather, things that don’t exist are called fantasy. That’s why humans invented tools that can create fantasies.”
|-
|-
|「ふーん。そんな式神を魔理沙が持っていってどうしようっていうのかしら?」
| 「ふーん。そんな式神を魔理沙が持っていってどうしようっていうのかしら?」
|“Hmm. And what do you think Marisa is going to do now that she has one of these shikigami?”
| “Hmm. And what do you think Marisa is going to do now that she has one of these shikigami?”
|-
|-
|「どうせ鉄くずとなって放置することになるだろうね」
| 「どうせ鉄くずとなって放置することになるだろうね」
|“She will likely just neglect it like her metal scraps.”
| “She will likely just neglect it like her metal scraps.”
|-
|-
| &nbsp;
| colspan="2" |
|
|-
|-
|――カランカラン
| ――カランカラン
|''Knock, knock.''
| ''Knock, knock.''
|-
|-
|「聞いたぜ。まだ鉄くずにはなっていない」
| 「聞いたぜ。まだ鉄くずにはなっていない」
|“I heard that. I didn't scrap it just yet.”
| “I heard that. I didn't scrap it just yet.”
|-
|-
|「ああ、居たのか。魔理沙」
| 「ああ、居たのか。魔理沙」
|“Ah, so you were here, Marisa?”
| “Ah, so you were here, Marisa?”
|-
|-
|「コンピュータがうんともすんともいってくれないから、ちょっと休憩に来たんだ。コーラはないのか?」
| 「コンピュータがうんともすんともいってくれないから、ちょっと休憩に来たんだ。コーラはないのか?」
|“I wasn’t gettin' anywhere with the computer, so I took a break and came on over. Don’t you have any more cola?”  
| “I wasn’t gettin' anywhere with the computer, so I took a break and came on over. Don’t you have any more cola?”
|-
|-
|「コーラは薬みたいなものだった。余り美味しいものじゃなかったよ」
| 「コーラは薬みたいなものだった。余り美味しいものじゃなかったよ」
|“Cola tastes like medicine. It’s really not that good.”
| “Cola tastes like medicine. It’s really not that good.”
|-
|-
|「人形くらいに便利な道具になるかと思ったんだがなー」
| 「人形くらいに便利な道具になるかと思ったんだがなー」
|“I thought it'd at least be as useful as a doll or somethin'...”
| “I thought it'd at least be as useful as a doll or somethin'...”
|-
|-
| &nbsp;
| colspan="2" |
|
|-
|-
| 魔理沙は扉の前に立ち、まるで悪戯好きの妖精を取り逃したかのように、露骨に残念そうな顔をしていた。
|  魔理沙は扉の前に立ち、まるで悪戯好きの妖精を取り逃したかのように、露骨に残念そうな顔をしていた。
|Marisa was standing in front of the door, looking just like she had let a prankster fairy escape. She had a clearly disappointed look on her face.
| Marisa was standing in front of the door, looking just like she had let a prankster fairy escape. She had a clearly disappointed look on her face.
|-
|-
| &nbsp;
| colspan="2" |
|
|-
|-
|「人形? 人形が便利な道具だって?」
| 「人形? 人形が便利な道具だって?」
|“A doll? And since when are dolls useful tools?”
| “A doll? And since when are dolls useful tools?”
|-
|-
|「ほら、人形に家事手伝いをさせている奴も居るじゃないか。アレだって式神のようなもんだろう?」  
| 「ほら、人形に家事手伝いをさせている奴も居るじゃないか。アレだって式神のようなもんだろう?」
|“Hey, there are people that use dolls t'help around the house, right? Isn’t that kinda like using a shikigami?”
| “Hey, there are people that use dolls t'help around the house, right? Isn’t that kinda like using a shikigami?”
|-
|-
|「何を言ってるんだい? 人形に式なんか覚えさせられる筈がないじゃないか」
| 「何を言ってるんだい? 人形に式なんか覚えさせられる筈がないじゃないか」
|“What are you saying? You couldn’t possibly make a doll realize what they're doing.”
| “What are you saying? You couldn’t possibly make a doll realize what they're doing.”
|-
|-
| &nbsp;
| colspan="2" |
|
|-
|-
| また魔理沙が勘違いをしているようである。魔理沙は怪訝な顔をしながら売りものに腰掛けた。霊夢は霊夢で勝手に小さなコンピュータを弄っている。霊夢が弄ると動き出しそうだから少し怖い。
|  また魔理沙が勘違いをしているようである。魔理沙は怪訝な顔をしながら売りものに腰掛けた。霊夢は霊夢で勝手に小さなコンピュータを弄っている。霊夢が弄ると動き出しそうだから少し怖い。
|Seems like Marisa once again has a misconception. She made a dubious face as she sat on some of my merchandise. Reimu was very Reimu-like, fiddling with one of the small computers without asking. She seemed a little afraid that it would start moving when she touched it.
| Seems like Marisa once again has a misconception. She made a dubious face as she sat on some of my merchandise. Reimu was very Reimu-like, fiddling with one of the small computers without asking. She seemed a little afraid that it would start moving when she touched it.
|-
|-
| &nbsp;
| colspan="2" |
|
|-
|-
|「動く人形を式神みたいなものだと言ったね? そういうこともあり得るかも知れないが、今の幻想郷では人形は式神たり得ない」
| 「動く人形を式神みたいなものだと言ったね? そういうこともあり得るかも知れないが、今の幻想郷では人形は式神たり得ない」
|“So you say that moving dolls are similar to shikigami, right? That might be possible, but the dolls in Gensokyo right now are not shikigami-worthy.”
| “So you say that moving dolls are similar to shikigami, right? That might be possible, but the dolls in Gensokyo right now are not shikigami-worthy.”
|-
|-
|「そもそも式神と言われてもよくわからないけど、使い魔のようなもんだろう?」
| 「そもそも式神と言われてもよくわからないけど、使い魔のようなもんだろう?」
|“I don't even know what shikigami are s'pposed to be in the first place. Ain’t they like familiars or something?”
| “I don't even know what shikigami are s'pposed to be in the first place. Ain’t they like familiars or something?”
|-
|-
|「使い魔と人形は近い部分もある。使い魔と式神も近い部分はある。だが、式神は人形とは異なるものだよ」
| 「使い魔と人形は近い部分もある。使い魔と式神も近い部分はある。だが、式神は人形とは異なるものだよ」
|“Familiars and dolls have their similarities. And familiars and shikigami also have their similarities. But dolls and shikigami are very different things.”
| “Familiars and dolls have their similarities. And familiars and shikigami also have their similarities. But dolls and shikigami are very different things.”
|-
|-
|「じゃあ何だよ。命令通り動いていたり、働いてたりするの見たことがあるぜ?」
| 「じゃあ何だよ。命令通り動いていたり、働いてたりするの見たことがあるぜ?」
|“Okay, so what? I’ve seen them move and work just like they've been told, y'know?”
| “Okay, so what? I’ve seen them move and work just like they've been told, y'know?”
|-
|-
|「人形は……操られているだけだ」
| 「人形は……操られているだけだ」
|“But dolls, you see... are only being manipulated.”
| “But dolls, you see... are only being manipulated.”
|-
|-
| &nbsp;
| colspan="2" |
|
|-
|-
| いつの間にか魔理沙の顔が紅く染まっていた。夕日が沈んできたのだ。これから昼の時間が短くなっていくので、いよいよ妖怪の力が強くなる一方である。
|  いつの間にか魔理沙の顔が紅く染まっていた。夕日が沈んできたのだ。これから昼の時間が短くなっていくので、いよいよ妖怪の力が強くなる一方である。
|Marisa’s face was tinted red. the evening sun was already setting. From now on the days would get shorter; and the power of the youkai would only continue to become stronger.  
| Marisa’s face was tinted red. the evening sun was already setting. From now on the days would get shorter; and the power of the youkai would only continue to become stronger.
|-
|-
| 昨日、釣瓶落としのことを少し考えたのだが、秋の日は釣瓶落としの「釣瓶落とし」とは、「井戸に落とす釣瓶」のことではなく「妖怪の名前」だということではないか。釣瓶落としは、闇夜に木の上から襲いかかる妖怪である。つまり、秋が深まると釣瓶落としが出やすくなるということではないだろうか。これなら、速度と時間の問題は生じない。
|  昨日、釣瓶落としのことを少し考えたのだが、秋の日は釣瓶落としの「釣瓶落とし」とは、「井戸に落とす釣瓶」のことではなく「妖怪の名前」だということではないか。釣瓶落としは、闇夜に木の上から襲いかかる妖怪である。つまり、秋が深まると釣瓶落としが出やすくなるということではないだろうか。これなら、速度と時間の問題は生じない。
|Yesterday, I spent some time thinking about the autumn days falling like a bucket. What if the “falling like a bucket” is not referring to “a bucket down a well”, but rather to the “[[Talk:Curiosities_of_Lotus_Asia:_Chapter_15|youkai’s name]]”, the tsurube-otoshi, who attacks people from the top of the trees during dark nights. In other words, maybe it means that as autumn advances, the tsurube-otoshi become more active. In this case, there’s no problem regarding speed or time.  
| Yesterday, I spent some time thinking about the autumn days falling like a bucket. What if the “falling like a bucket” is not referring to “a bucket down a well”, but rather to the “youkai’s name{{ref|youkai}}”, the tsurube-otoshi, who attacks people from the top of the trees during dark nights. In other words, maybe it means that as autumn advances, the tsurube-otoshi become more active. In this case, there’s no problem regarding speed or time.
|-
|-
| &nbsp;
| colspan="2" |
|
|-
|-
|「そりゃ人形は操られてるだろうけど、式神は違うのか? 式神もみんな操られているように見えるんだが……」
| 「そりゃ人形は操られてるだろうけど、式神は違うのか? 式神もみんな操られているように見えるんだが……」
|“So if dolls are bein' manipulated, what's so different about shikigami? It looks like they're always bein' manipulated too...”
| “So if dolls are bein' manipulated, what's so different about shikigami? It looks like they're always bein' manipulated too...”
|-
|-
|「人形は手を動かすのに、手に繋がれた紐を引っ張る。歩いているように見せるには、手足の紐を交互に動かす。生きているように見せるには、そこら中の紐を引っ張る」
| 「人形は手を動かすのに、手に繋がれた紐を引っ張る。歩いているように見せるには、手足の紐を交互に動かす。生きているように見せるには、そこら中の紐を引っ張る」
|“To make a doll move its hands, you have to pull a string attached to them. To make it look like it's walking, you have to pull the strings on its arms and legs. To make it appear alive, you pull all of them.”
| “To make a doll move its hands, you have to pull a string attached to them. To make it look like it's walking, you have to pull the strings on its arms and legs. To make it appear alive, you pull all of them.”
|-
|-
|「紐なんてあったかなー」
| 「紐なんてあったかなー」
|“But did those dolls have strings...?”
| “But did those dolls have strings...?”
|-
|-
|「別に紐でなくてもいいんだよ。魔法でも何でも、何らかの力で操っていることは間違いないんだ。人形が右手を動かすためには、誰かが右手を操らなければいけない。人形に家事手伝いをさせるには、家事手伝いをさせるように操らなければいけない」
| 「別に紐でなくてもいいんだよ。魔法でも何でも、何らかの力で操っていることは間違いないんだ。人形が右手を動かすためには、誰かが右手を操らなければいけない。人形に家事手伝いをさせるには、家事手伝いをさせるように操らなければいけない」
|“They don’t have to be physical strings. It could be magic or something else, but it’s certainly some kind of manipulating power. For a doll to move its right hand, someone must manipulate it into moving it. For a doll to help with housework, you have to manipulate it into doing housework.”
| “They don’t have to be physical strings. It could be magic or something else, but it’s certainly some kind of manipulating power. For a doll to move its right hand, someone must manipulate it into moving it. For a doll to help with housework, you have to manipulate it into doing housework.”
|-
|-
|「器用だな。自分で家事をやった方が楽なんじゃないか?」
| 「器用だな。自分で家事をやった方が楽なんじゃないか?」
|“That sounds pretty handy. That should make doin' chores by yourself a snap, right?”
| “That sounds pretty handy. That should make doin' chores by yourself a snap, right?”
|-
|-
|「楽だろうね。でも、同時に操るほど器用ならば、楽ではないが一人ではできないことが可能になるじゃないか」
| 「楽だろうね。でも、同時に操るほど器用ならば、楽ではないが一人ではできないことが可能になるじゃないか」
|“I suppose it would. If you can manipulate many at the same time, then not only would it become easier, but it would also let you do things you couldn't normally do by yourself.”
| “I suppose it would. If you can manipulate many at the same time, then not only would it become easier, but it would also let you do things you couldn't normally do by yourself.”
|-
|-
|「そうか。ってことは、人形と会話するのも、人形と会話していると見えるように操っている訳か。何ともさもしい一人芝居だ」
| 「そうか。ってことは、人形と会話するのも、人形と会話していると見えるように操っている訳か。何ともさもしい一人芝居だ」
|“I get it. So that means if a doll is talkin', then it's just bein' manipulated to look like it's talkin'? Just a lame one-person act.”
| “I get it. So that means if a doll is talkin', then it's just bein' manipulated to look like it's talkin'? Just a lame one-person act.”
|-
|-
|「そして、式神は使役者の命令通りに動くものなんだ」
| 「そして、式神は使役者の命令通りに動くものなんだ」
|“And as for the shikigami, they are like servants who move according to orders.”
| “And as for the shikigami, they are like servants who move according to orders.”
|-
|-
|「って、何だよ人形と同じじゃないか」
| 「って、何だよ人形と同じじゃないか」
|“Hey, isn’t that the same as the dolls?”
| “Hey, isn’t that the same as the dolls?”
|-
|-
| &nbsp;
| colspan="2" |
|
|-
|-
| 霊夢はコンピュータを前にして、動かないことに諦めてお茶を飲んでいた。コンピュータには余り興味がないらしい。
|  霊夢はコンピュータを前にして、動かないことに諦めてお茶を飲んでいた。コンピュータには余り興味がないらしい。
|Reimu was in front of a computer, no longer trying to make it move and now drinking tea. She no longer seemed interested in it.
| Reimu was in front of a computer, no longer trying to make it move and now drinking tea. She no longer seemed interested in it.
|-
|-
| &nbsp;
| colspan="2" |
|
|-
|-
|「まったく違う。式神は命令通り動くことで、別の力を得るものなんだ。さっきの人形の例と比較して言うと、たとえば式神の右手を動かすためには右手を引っ張ったりはしない。手を挙げろ、と言うだけでいい」
| 「まったく違う。式神は命令通り動くことで、別の力を得るものなんだ。さっきの人形の例と比較して言うと、たとえば式神の右手を動かすためには右手を引っ張ったりはしない。手を挙げろ、と言うだけでいい」
|“They're completely different. Shikigami move according to orders, and they can have other abilities. If we were to compare it to the dolls example from earlier, you could say that if you want the shikigami to move their hand you don’t have to pull it. Just saying ‘Raise your hand.’ would be enough.”
| “They're completely different. Shikigami move according to orders, and they can have other abilities. If we were to compare it to the dolls example from earlier, you could say that if you want the shikigami to move their hand you don’t have to pull it. Just saying ‘Raise your hand.’ would be enough.”
|-
|-
|「式神は生きているからな」
| 「式神は生きているからな」
|“Because shikigami are alive, after all.”
| “Because shikigami are alive, after all.”
|-
|-
|「生きているだけじゃ命令を聞いてくれないだろう? 僕が君に手を挙げろと言ったところで挙げるかどうか」
| 「生きているだけじゃ命令を聞いてくれないだろう? 僕が君に手を挙げろと言ったところで挙げるかどうか」
|“Just because they are alive doesn’t mean they have to follow orders. If I told you to raise your hand, would you do it?”  
| “Just because they are alive doesn’t mean they have to follow orders. If I told you to raise your hand, would you do it?”
|-
|-
|「挙げるぜ。ほれほれ」
| 「挙げるぜ。ほれほれ」
|“Yeah, sure. Look!”  
| “Yeah, sure. Look!”
|-
|-
|「本当にひねくれた奴だ」
| 「本当にひねくれた奴だ」
|“You really are a hopeless case...”
| “You really are a hopeless case...”
|-
|-
|「じゃあ何か? 私がコンピュータを使役するには何が必要なんだ?」
| 「じゃあ何か? 私がコンピュータを使役するには何が必要なんだ?」
|“So then what? What do I have to do if I want to use the computer?”
| “So then what? What do I have to do if I want to use the computer?”
|-
|-
| &nbsp;
| colspan="2" |
|
|-
|-
| ちょっと話している内に店内は、一段と暗さを増していた。もうすぐ、釣瓶落としが跋扈する時間になってしまうだろう。もっとも、この子たちなら喜んで釣瓶落としを探し出してちょっかいをかけるに違いないが。
|  ちょっと話している内に店内は、一段と暗さを増していた。もうすぐ、釣瓶落としが跋扈する時間になってしまうだろう。もっとも、この子たちなら喜んで釣瓶落としを探し出してちょっかいをかけるに違いないが。
|While we were talking, it had become just a little bit darker. Soon enough it would be the time for the tsurube-otoshi to go on a rampage. But in these girls’ case, it’s more like they would gladly go searching for the tsurube-otoshi even if they had no business doing so.
| While we were talking, it had become just a little bit darker. Soon enough it would be the time for the tsurube-otoshi to go on a rampage. But in these girls’ case, it’s more like they would gladly go searching for the tsurube-otoshi even if they had no business doing so.
|-
|-
| &nbsp;
| colspan="2" |
|
|-
|-
|「それはそうだな……。コンピュータが言うことを聞くくらいの力を持つこと。つまり、『長いものに巻かれる』ことだ」
| 「それはそうだな……。コンピュータが言うことを聞くくらいの力を持つこと。つまり、『長いものに巻かれる』ことだ」
|“Well, in that case... You’d have to at least possess enough power to make the computer listen to what you say. In other words, ‘''If you can’t beat them, join them.''’”
| “Well, in that case... You’d have to at least possess enough power to make the computer listen to what you say. In other words, ‘''If you can’t beat them, join them.''’”
|-
|-
| &nbsp;
| colspan="2" |
|
|-
|-
| 幻想郷で、このコンピュータが使える時が来るのだろうか。現状を見る限り、幻想郷にいるものが外の世界の恩恵なしで生活できるようになることはあり得ないだろう。だとしたら、コンピュータを使役するには外の世界に行くしかない。
|  幻想郷で、このコンピュータが使える時が来るのだろうか。現状を見る限り、幻想郷にいるものが外の世界の恩恵なしで生活できるようになることはあり得ないだろう。だとしたら、コンピュータを使役するには外の世界に行くしかない。
|Will there come a time when these computers could be used in Gensokyo? As far as I can see, it's not likely that the ones in Gensokyo could become used to daily life without the benefits from the outside world. In that case, the only way to employ computers would be to go to the outside world.
| Will there come a time when these computers could be used in Gensokyo? As far as I can see, it's not likely that the ones in Gensokyo could become used to daily life without the benefits from the outside world. In that case, the only way to employ computers would be to go to the outside world.
|-
|-
| 幻想郷の情報の伝達は速い。それは好奇心旺盛なものが多い所為であろう。外の世界の式神が自分の代わりに情報を収集する程度のものならば、今の幻想郷には必要ないのかも知れない。
|  幻想郷の情報の伝達は速い。それは好奇心旺盛なものが多い所為であろう。外の世界の式神が自分の代わりに情報を収集する程度のものならば、今の幻想郷には必要ないのかも知れない。
|Transmission of information in Gensokyo is fast. That’s because there’s a lot of curious people. If the people here are able to gather information themselves instead of using these outside world shikigami, then computers might not be needed in Gensokyo at all.
| Transmission of information in Gensokyo is fast. That’s because there’s a lot of curious people. If the people here are able to gather information themselves instead of using these outside world shikigami, then computers might not be needed in Gensokyo at all.
|-
|-
| &nbsp;
| colspan="2" |
|
|-
|-
| 僕は働かないコンピュータを見て思う。己の修行のためにも、いつかは「長いもの」である外の世界に巻かれる必要がある。幻想郷は外の世界の恩恵に身を委ねているから自由気ままに暮らせているのだ。そのことは、外の世界の品を扱っている僕だからこそよくわかる。
|  僕は働かないコンピュータを見て思う。己の修行のためにも、いつかは「長いもの」である外の世界に巻かれる必要がある。幻想郷は外の世界の恩恵に身を委ねているから自由気ままに暮らせているのだ。そのことは、外の世界の品を扱っている僕だからこそよくわかる。
|While looking at the non-functional computers, I thought that for the sake of learning, I too would have to someday “join them." "Them" being the outside world. Gensokyo takes the benefits of the outside world for granted, and that’s why everyone leads a freewheeling life here. I understand this only too well, since I deal in items from the outside world.  
| While looking at the non-functional computers, I thought that for the sake of learning, I too would have to someday “join them." "Them" being the outside world. Gensokyo takes the benefits of the outside world for granted, and that’s why everyone leads a freewheeling life here. I understand this only too well, since I deal in items from the outside world.
|-
|-
| 自分たちは幻想郷に閉じこもりながら、外の世界から都合のいいものだけを受け取り、自立している振りをしている。それは、もし外の世界が滅べば幻想郷は道連れとなってしまうということを意味している。その上、幻想郷にいては外の世界に影響を与えることもできない。幻想郷に住むものたちが外に出て行かず小さな場所で生活しているのは、それが一番楽であることがわかっているからだ。
|  自分たちは幻想郷に閉じこもりながら、外の世界から都合のいいものだけを受け取り、自立している振りをしている。それは、もし外の世界が滅べば幻想郷は道連れとなってしまうということを意味している。その上、幻想郷にいては外の世界に影響を与えることもできない。幻想郷に住むものたちが外に出て行かず小さな場所で生活しているのは、それが一番楽であることがわかっているからだ。
|Even though we shut ourselves inside Gensokyo, we take from the outside world only the things we deem convenient and pretend to be independent. But the truth is that if the outside world were to crumble, Gensokyo would soon follow. And on top of that, while being in Gensokyo you can’t affect the outside world in any way. The people living in Gensokyo are leading a life in a small place from which they can’t get out, and I understand that to be simply the easiest choice.
| Even though we shut ourselves inside Gensokyo, we take from the outside world only the things we deem convenient and pretend to be independent. But the truth is that if the outside world were to crumble, Gensokyo would soon follow. And on top of that, while being in Gensokyo you can’t affect the outside world in any way. The people living in Gensokyo are leading a life in a small place from which they can’t get out, and I understand that to be simply the easiest choice.
|-
|-
| どうせ魔理沙は、コンピュータに家事手伝いでもさせて楽しようと考えていたのだろうが、その狭い空間ならではの堕落した考えでは外の道具は真の姿を見せないだろう。
|  どうせ魔理沙は、コンピュータに家事手伝いでもさせて楽しようと考えていたのだろうが、その狭い空間ならではの堕落した考えでは外の道具は真の姿を見せないだろう。
|Marisa was probably thinking of having the computer do her housework for her, but a tool from the outside world wouldn’t show its true nature to the indolent mindset typical of a small place.
| Marisa was probably thinking of having the computer do her housework for her, but a tool from the outside world wouldn’t show its true nature to the indolent mindset typical of a small place.
|-
|-
| 僕が式神を扱うようになるとしたらコンピュータ以外は考えられない。いつかはコンピュータに命令し、今の何倍もの力を身に付ける時が来るまで、外の世界のことを勉強するとしよう。
|  僕が式神を扱うようになるとしたらコンピュータ以外は考えられない。いつかはコンピュータに命令し、今の何倍もの力を身に付ける時が来るまで、外の世界のことを勉強するとしよう。
|If I were to use a shikigami, I wouldn’t think of any other than a computer. But until the time I can give orders to computers and attain greater strength than what I have now, I’ll just continue studying about the outside world.  
| If I were to use a shikigami, I wouldn’t think of any other than a computer. But until the time I can give orders to computers and attain greater strength than what I have now, I’ll just continue studying about the outside world.
|-
|-
| &nbsp;
| colspan="2" |
|
|-
|-
|「どうした? 暗くなってきたしそろそろ帰るぜ? コンピュータの動かし方はわからなかったし」
| 「どうした? 暗くなってきたしそろそろ帰るぜ? コンピュータの動かし方はわからなかったし」
|“What happened? It’s already dark, so I guess we better get goin', right? Too bad I couldn’t figure out how to get my computer to work…”
| “What happened? It’s already dark, so I guess we better get goin', right? Too bad I couldn’t figure out how to get my computer to work…”
|-
|-
|「そうそう、拾いものは余り口に入れないようにね」
| 「そうそう、拾いものは余り口に入れないようにね」
|“Oh yes, and remember not to put things you find lying around in your mouth.”  
| “Oh yes, and remember not to put things you find lying around in your mouth.”
|-
|-
|「おお、もう結構な時間だな。ってそうだ、二人ともちょっと待って。帰る前に一つサービスしてあげるよ」
| 「おお、もう結構な時間だな。ってそうだ、二人ともちょっと待って。帰る前に一つサービスしてあげるよ」
|“Yes, it is quite late. Oh, yes… Wait a moment, you two. Before you go back I have a gift for you. Think of it as a sample.”  
| “Yes, it is quite late. Oh, yes… Wait a moment, you two. Before you go back I have a gift for you. Think of it as a sample.”
|-
|-
| &nbsp;
| colspan="2" |
|
|-
|-
| 僕はそう言いながらお勝手の方であるものを探していた。そう、僕を含む幻想郷のものたちがこの式神を働かせるために足りないものは、もっと積極的に長いものに巻かれることなのだ。
|  僕はそう言いながらお勝手の方であるものを探していた。そう、僕を含む幻想郷のものたちがこの式神を働かせるために足りないものは、もっと積極的に長いものに巻かれることなのだ。
|I said that with my gift already in mind. Yes, something I could give to these people of Gensokyo who are lacking whatever makes these shikigami move, me included. Something that would convince them to proactively join something bigger.
| I said that with my gift already in mind. Yes, something I could give to these people of Gensokyo who are lacking whatever makes these shikigami move, me included. Something that would convince them to proactively join something bigger.
|-
|-
| &nbsp;
| colspan="2" |
|
|-
|-
| 僕はコーラを魔理沙と霊夢に差し出した。
|  僕はコーラを魔理沙と霊夢に差し出した。
|I gave a cola to both Marisa and Reimu.
| I gave a cola to both Marisa and Reimu.
|}
|}


----
==Notes==
 
:{{note|join}}The original was a Japanese proverb that literally means “Coil around big things.” The meaning is basically the same as the Western proverb – that is, that one should rather join the stronger side and take advantage of its strength instead of fighting it.
[[Media:Curiosities of lotus asia 15 01.jpg]]
:{{note|youkai}}Tsurube-otoshi, meaning something like “falling like a bucket”, is Japanese expression referring to something that falls suddenly and fast. It’s also the name given to a [[Wikipedia:Tsurube-otoshi|type of youkai]] that lurks in the treetops to either fall upon an unsuspecting passerby or drop fire or buckets on him. They are represented in the Touhou cast by [[Kisume]].
 
[[Media:Curiosities of lotus asia 15 02.jpg]]


[[Media:Curiosities of lotus asia 15 03.jpg]]


[[Media:Curiosities of lotus asia 15 04.jpg]]
{{SubpageNav|Curiosities of Lotus Asia|Chapter 15|Chapter 17}}


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「外の世界」の道具をも扱う香霖堂。そこには、コンピュータという名前の式神が舞い込むこともある。けれども幻想郷の住人たちがその式神を使いこなすには、どうしようもないくらい「何か」が欠けていて――。絶好調の東方シリーズ連載。いつになく悩ましげな霖之助が語ってみせる、ある秘めた決意とは……? Kourindo, the shop that deals in items from “the outside world." And it was there that a type of shikigami called "a computer" happened to appear. But in order for the inhabitants of Gensokyo to be able to use these shikigami, an indispensable “something” was lacking… In this chapter of the popular Touhou Project serialization, an unusually troubled Rinnosuke tries to speak... but what is he keeping to himself?
働かない式神 Non-Functional Shikigami
 これといって何か反応するという訳ではないが、僕は売り物のキーボードを叩いていた。キーボードとは、コンピュータという道具の一部であり、これでもかといわんばかりに無数のボタンが付いている道具だ。売りものだから常に綺麗にしておきたいところだが、このキーボードの掃除のし難さは群を抜いており、すぐに埃が詰まる。非常に人間味のない形をしているといわざるを得ない。 Not that I was expecting any kind of response from it, but I was dusting the keyboard I had for sale. The keyboard was part of an item called a computer, and the most I could say about it was that it was a tool with almost too many buttons. I always like to keep my merchandise clean, but these keyboards were particularly difficult to maintain, as they would soon become covered in dust. They definitely weren’t made in a shape that is convenient for people.
 コンピュータは、うちの商品の中でも入荷率、つまり幻想郷で拾得する数が高く、それでいて欲しがる人は少ない厄介な代物である。しかもそこそこの大きさで場所を取る。最近は、コンピュータを見つけても余程興味を惹かれる形をしていない限り拾わないことにしている。 Amongst my merchandise, the rate of arrival of computers, which is to say the number of them that were recovered in Gensokyo, was quite high. And as there were few who wanted one, they are quite problematic. On top of that, they are big, so they take up great deal of space. As of late, I’m not even picking up the ones I find unless their shape attracts my eye.
 コンピュータとは使役者の命令通りに動く道具、所謂外の世界における式神のことだが、その異常なまでに複雑な構造と面白みのない外見は、外の世界の文化のあり方を物語っているようだった。 Computers are tools that behave according to orders from their masters; you could say they are the outside world’s shikigami. But their strange and complicated construction, as well as their uninteresting appearance speak volumes about the culture of the outside world.
 幻想郷では式神とはいえ体面を気にしていて、狐なり猫なりと多種多様な姿をしていて面白いものが多い。それもその筈、本来の式神とは、元々式神となる前の姿が存在し、そこに必要な機能を与えてやることで形成されるものだ。式神の道具としての部分が一番重要なことは当たり前だが、式神そのものの体面がなくなれば本末転倒である。外の世界では、外面より内面ばかりを気にするようになってしまったのだろうか。それは些か心に余裕がなさすぎるのではないか。 In Gensokyo, a shikigami’s appearance is an important matter. They could be a fox, or a cat, or many other kinds of interesting forms. Which is only to be expected, since the shikigami already had their original forms before becoming shikigami, and became one after being given the necessary abilities. Of course, the tool facet of a shikigami is its most important part, but for a shikigami to look like a mere tool would simply be missing the point. I guess that in the outside world they only care about the contents, and not the appearance. But isn't that a little too impersonal?
――カランカラン Knock, knock
「おう、少し肌寒くなってきたな。半袖の季節ももう終わりかな」 “Hey, it's gettin' pretty chilly, huh? Looks like the season of short sleeves is almost over.”
「ああ、君はまだ半袖だったのか。いつまで夏のつもりで居るんだい? もうそろそろ暖房でも出さないと寒いくらいだよ」 “Ah, are you still wearing short sleeves? How long did you think Summer was going to last? Soon it’ll get cold enough for me to have to bring out the heater.”
「あーいや、私も寒がりな方だが暖房はまだ速い、って何だ? その珈琲は。そんな口の細い瓶に入っている珈琲なんて珍しいな」 “Nah, even though I’m weak to cold, I don't think ya need that yet... But hey! Isn't it strange to put coffee in a bottle a small mouth like that?”
 魔理沙が珈琲と指摘した飲みものは、名前は似ているが珈琲ではなくコーラという飲みものである。外の世界の飲みものだ。飲みものぐらい使用方法がわからなくても、用途さえわかれば飲むことはできる。 The drink Marisa had just identified as coffee, while having a somewhat similar name, wasn’t actually coffee, but a drink called cola, a drink from the outside world. At least for drinks you don’t have to know how to use it, just what its use is, in order to drink it.
「なんだ? コーラって……ってあんまり拾いもんは飲むなよ?」 “What? Cola, you say... But hey, ya shouldn't just drink things you find lyin' around, yeah?”
「大丈夫だよ。これは売りものだし、香霖堂は拾いものを売る店だから」 “Don’t worry, this is for sale. Because here at Kourindou we sell the items we pick up.”
 我ながら何が大丈夫なのかよくわからなかったが、魔理沙は納得したようで机の上に腰掛けた。 While she didn’t entirely understand my logic herself, Marisa seemed to agree as she sat atop a desk.
 日が傾くのが早くなる一方である。既に空は赤く、有無を言わさず家に帰りたくなる色をしている。秋の日は釣瓶落としとはよく言ったものだ。だが、釣瓶落としの速さはスピードの速さであり、秋の日が沈むのは時間の早さだから釣り合いが取れていないと僕は思う。もしかしたら今の解釈は間違っていて、もっと深い意味があるのかも知れない。今度暇な時に考えてみることにしよう。 The days were starting to get shorter. The sky was already turning red, the kind of color that prompts one to head back home. It’s often said that in autumn the days fall as fast as a bucket. But since that means the speed in which the bucket falls, it doesn’t quite go match the idea of the sun setting earlier. Maybe this explanation is wrong, and there’s a more profound meaning to it. I’ll think about it next time I have time.
「そうそう。そこにあるコンピュータ。一台もらえないか?」 “Oh yeah. Can ya give me one of those computers over there?”
「おおそうか。買ってくれるんだね? このお買い得商品を」 “Oh, really? You saying you want to buy one? I’ll give you a bargain...”
「いや、金はないけど、ちょっと式神っていうのも面白そうだからな」 “Nope, don't got any money. I just thought havin' a shikigami would be fun.”
「金はないって、まあツケでもいいけど……」 “No money, you say... Well, I guess I can just put it on your tab...”
 買う気がないのに商品を物色することをひやかしと言うが、代金を払う気がないのに商品を持って行こうとすることはなんと呼べばいいのか。魔理沙買いとでも言うか。 If people who come to look at stuff they don’t intend to buy are called “window shoppers”, then what do you call people who come to get things they don’t intend to pay for? Maybe “Marisa shoppers” would be suitable?
「ああツケでもいいぜ」 “Yeah, sure. That works.”
「ツケでも、って他にどんな選択肢があるのかわからないが、とにかくちゃんと払ってもらうからな。さて、コンピュータも幾つか種類があるが、大きなコンピュータ、小さなコンピュータ、君ならどちらを選ぶかい?」 “All right, I don’t even know what other choice I would have anyway... But make sure you pay it off later. Now then, I have many different kinds of computers, big ones, small ones... What kind do you want?”
「そりゃ大きいのだな。大きい方が強いんだろ?」 “Gimme a big'un. Bigger's stronger, right?”
 魔理沙は大きいコンピュータをどうにか抱え、既に薄暗くなった外へ帰っていった。小さな彼女には不相応な大きさの道具だが、それを力強く持っている姿を見ると非常に魔理沙らしいと思ってしまうから不思議である。道具は通常、大きいものほど仕組みは単純なものである。魔理沙が持っていった大きなコンピュータも見た目はシンプルなものである。しかし、驚くことにその中身は複雑怪奇であり、幻想郷のものの手に負えない代物である。 Marisa had already hefted a big computer in her arms and walked out into the evening with it. It was an unsuitably large item for such a small girl, but when watching her emboldened figure carrying it, it felt extremely Marisa-like. It was kind of mysterious. Tools were usually simpler the bigger they were. And Marisa’s big computer looked quite simple at first glance. However, its insides were surprisingly bizarre and complex, more than anything else in Gensokyo.
 このコンピュータのように複雑な式神は、外の技術なくしては創れない。コンピュータに限らず、食器から新聞に使うような紙切れまで、殆どの道具は外の世界の技術の賜物だ。妖怪が日常食べる人間も人間の心も、その餌食となるものは外の世界の人間である。閉鎖空間である幻想郷は、外の恩恵により保っているようなものである。よく「長いものには巻かれよ」と言うが、長いものに巻かれる方がいいというのは、決して楽だからとか安全だからとかではない。すぐ小さな所へ逃げてしまう堕落した己を鍛え直すための教訓である。己をより大きな所に置き、視野を広くする方が学べることは多いからだ。 Shikigami as complex as computers could only be created by the skills of the outside world. And not only computers, but from tableware to the sheets of paper used for newspaper, most of my items are the results of the technology in the outside world. And the humans that the youkai usually prey upon are humans from the outside world. As a closed space, Gensokyo seems to have warded itself against the benefits from the outside. They say that “If you can’t beat them, join them.[1], but you shouldn’t join something stronger just because it’s easier or safer. It’s a moral in to train those that have become weakened by cowardice, scurrying into tiny spaces like mice. When you put yourself with something bigger than you are, your outlook widens and you have many more opportunities for learning.
 閉鎖空間である幻想郷に閉じこもっていると、次第に外の世界の恩恵に与っていることを忘れてしまう。幻想郷に限らず、己の置かれた場所が小さければ小さいほど別の大きなものの恩恵に気が付かない。そんな状態なのに、外の世界より幻想郷の方が優れていると思うようになったら、それは驕りである。人は小さい所に居るものほど、よく驕り、向上心を失う。今の幻想郷を見てみればわかるように、人間も妖怪も堕落した生活を送っているのだ。 By shutting itself into a closed space, Gensokyo gradually forgets about the benefits it gets from the outside world. And this is not limited to Gensokyo, the smaller the place you put yourself in, the more you don’t notice the benefits from the bigger things. In this kind of situation, thinking that Gensokyo is somehow better than the outside world is but arrogance. When living in a small place, people get arrogant and lose the drive to improve themselves. By looking at Gensokyo today, one can understand how both humans and youkai are just carrying on with their degenerate lifestyles.
 僕は、いつかは自分の修行のために外の世界に生きたいと思っている。つまり長いものに巻かれたいということだ。そこで自分を磨き、今の僕の知識をさらに活かすことを夢見ているのだ。 Me, I think that, for the sake of my search for knowledge, I would like to live in the outside world someday. In other words, I want to join those I can’t beat. I dream of improving myself and putting my knowledge to good use there.
 最近拾うコンピュータは、さまざまな用途の中でも特に情報伝達の機能に特化していると僕の能力がいう。こんな四角い箱で自ら動くとは思えないような式神が、一度動き出せばもの凄いスピードで情報を集めてきてくれるというのだが……僕にはその姿が想像しがたい。 The computers I've been collecting lately, amongst their various functions, seem to specialize in transmission of information – or so my ability tells. You wouldn’t think that this square box is a shikigami capable of moving on its own, but once it moves, it is said to be able to gather information at an incredible speed. However... this is something I find difficult to imagine.
 情報を集める式神を創りたければ、嘘でも天狗のような姿にすればいいのである。そうすれば最初に魅力的なコンピュータが生まれ、後に本当に情報を集める機能が生まれるはずである。その考え方が幻想郷の普遍的な真理なのだ。 If one were to make a shikigami that collected information, it should be in the shape of a tengu, even if were just a fake. That way it would not only be a fascinating computer, but one that would certainly possess the ability to gather information. That was the universal way of thinking in Gensokyo.
 寝る前にコーラの空き瓶を見た。コーラは少し口が酸っぱくなるが瓶の形がどこか楽しげで見て楽しめるという点では、これは幻想郷向きな飲みものかもしれない。外の世界の式神もこのくらい面白みのある外見なら、もっとうちの店でも売り上げが伸びたことだろう。そんなことを思いつつ夜を過ごした。 Before going to sleep, I took a look at the empty cola bottle. This ‘cola’ leaves a bit of an acrid taste in your mouth, but its bottle’s shape is certainly pleasant to look at. Maybe it's a drink very suited to Gensokyo. If the outside world shikigami had interesting appearances like this, they would sell a lot more at my shop. And so I spent the evening, thinking of these things.
――カランカラッ Knock, knock.
「霖之助さん。居るわよね?」 “Rinnosuke, are you there?”
「ああ居るよ」 “Yes, I am.”
「魔理沙から聞いたわよ。何か拾いもので食いつないでいるありさまだって?」 “I just heard from Marisa... So you've been reduced to surviving by eating what you pick up now?”
 コンピュータがなくても幻想郷の情報伝達は異常に早い。昨日のことだというのに既に霊夢にまで情報が伝わっている。だが、その情報は既に変化し別のものになっているのだが、コンピュータが集める情報もやはり変化するものだろうか。 Even without computers, news travels surprisingly fast in Gensokyo. It was just yesterday, but it had already reached Reimu. However, this information had already changed into something different.. I wonder if information gathered by computers also gets changed like this.
「拾いもので食いつないでいるって、僕はただコーラを飲んでいただけだよ」 “Eating what I pick up? All I did was drink some cola.”
「コーラ? なんだかよくわからないけど拾いものでしょう? 余り得体の知れないものは飲まない方が……」 “Cola? I don’t really know what that is, but it’s something you picked up, right? You shouldn’t just drink things you're not familiar with...”
 霊夢はコーラの空き瓶を手に持ち訝しんでいた。コーラの内面は黒い飲みものである。だが、外面である瓶に面白みのある形を用意し、外面を軽視していない。この辺には高い智慧を感じる。コーラを創った人間とコンピュータを創った人間は本当に同じ人間なのだろうか。 Reimu was holding the empty cola bottle with a suspicious look on her face. On the inside, it was just a dark liquid, but on the outside, its bottle was made in such an interesting shape that you couldn’t ignore it. I could sense a great wisdom in this. I wonder if the people who created computers and the people who created cola were the same.
「それから昨日、魔理沙がコンピュータを手に入れたって喜んでいたけど、あれってこの店の売りものでしょ? 勝手に持って行っているとしたら一応報告だけでもしておかないと……」 “So yesterday, Marisa was really happy about getting a computer. She got it from this store, right? If she just took one, you should have at least told me too....”
「ああ、それは売ったんだよ。別に持って行かれた訳じゃないさ。ただ、アレを手に入れたところで何も起きないだろうね。最近わかってきたことだが、あの式神は我々のよく知る式神とは少し違うところがあるんだ」 “Actually, I sold her that. She didn’t just take it away. But I don’t think anything will happen just because she has one. I just recently realized, but these shikigami are a little different from the kind of shikigami we know”.
「見た目でしょ?」 “Can’t you tell just by looking?”
「見た目も……まぁ確かにそうだが、それより概念が異なる。通常我々のいう式神とは、『パターンを創ることで心を道具に変えるもの』だ。つまり幻想が実体を生むものなんだ」 “Well... I suppose you certainly can. But rather than just that, they are different in concept. What we usually call a shikigami is a ‘spirit made into tool by creating a pattern’. In other words, they are created by turning fantasy into reality.”
「式神にワンパターンな奴が多いのはその所為ね」 “That’s why you see so many with one-pattern minds.”
「だが、このコンピュータは自ら動く心を持っているようには見えない。最初から道具なんだよ。僕はこれを、『パターンを創ることで道具を心に変えるもの』だと想像する。つまり実体が幻想を生むものということだ」 “However, I can’t really see these computers as having a spirit of their own. They were tools from the beginning. I imagine them more as a ‘tool made into spirit by creating a pattern’. In other words, they are created by turning reality into fantasy.”
「ピンと来ないわねえ。自分で動く人形のようなものかしら?」 “I don’t get it. Like dolls that move on their own, you mean?”
「外の世界では幻想というものは実在しない。いや、実在しないものを幻想と呼んでいるんだ。だからこそ人間は幻想を生む道具を生み出したのだろう」 “In the outside world, things of fantasy don’t exist. Or rather, things that don’t exist are called fantasy. That’s why humans invented tools that can create fantasies.”
「ふーん。そんな式神を魔理沙が持っていってどうしようっていうのかしら?」 “Hmm. And what do you think Marisa is going to do now that she has one of these shikigami?”
「どうせ鉄くずとなって放置することになるだろうね」 “She will likely just neglect it like her metal scraps.”
――カランカラン Knock, knock.
「聞いたぜ。まだ鉄くずにはなっていない」 “I heard that. I didn't scrap it just yet.”
「ああ、居たのか。魔理沙」 “Ah, so you were here, Marisa?”
「コンピュータがうんともすんともいってくれないから、ちょっと休憩に来たんだ。コーラはないのか?」 “I wasn’t gettin' anywhere with the computer, so I took a break and came on over. Don’t you have any more cola?”
「コーラは薬みたいなものだった。余り美味しいものじゃなかったよ」 “Cola tastes like medicine. It’s really not that good.”
「人形くらいに便利な道具になるかと思ったんだがなー」 “I thought it'd at least be as useful as a doll or somethin'...”
 魔理沙は扉の前に立ち、まるで悪戯好きの妖精を取り逃したかのように、露骨に残念そうな顔をしていた。 Marisa was standing in front of the door, looking just like she had let a prankster fairy escape. She had a clearly disappointed look on her face.
「人形? 人形が便利な道具だって?」 “A doll? And since when are dolls useful tools?”
「ほら、人形に家事手伝いをさせている奴も居るじゃないか。アレだって式神のようなもんだろう?」 “Hey, there are people that use dolls t'help around the house, right? Isn’t that kinda like using a shikigami?”
「何を言ってるんだい? 人形に式なんか覚えさせられる筈がないじゃないか」 “What are you saying? You couldn’t possibly make a doll realize what they're doing.”
 また魔理沙が勘違いをしているようである。魔理沙は怪訝な顔をしながら売りものに腰掛けた。霊夢は霊夢で勝手に小さなコンピュータを弄っている。霊夢が弄ると動き出しそうだから少し怖い。 Seems like Marisa once again has a misconception. She made a dubious face as she sat on some of my merchandise. Reimu was very Reimu-like, fiddling with one of the small computers without asking. She seemed a little afraid that it would start moving when she touched it.
「動く人形を式神みたいなものだと言ったね? そういうこともあり得るかも知れないが、今の幻想郷では人形は式神たり得ない」 “So you say that moving dolls are similar to shikigami, right? That might be possible, but the dolls in Gensokyo right now are not shikigami-worthy.”
「そもそも式神と言われてもよくわからないけど、使い魔のようなもんだろう?」 “I don't even know what shikigami are s'pposed to be in the first place. Ain’t they like familiars or something?”
「使い魔と人形は近い部分もある。使い魔と式神も近い部分はある。だが、式神は人形とは異なるものだよ」 “Familiars and dolls have their similarities. And familiars and shikigami also have their similarities. But dolls and shikigami are very different things.”
「じゃあ何だよ。命令通り動いていたり、働いてたりするの見たことがあるぜ?」 “Okay, so what? I’ve seen them move and work just like they've been told, y'know?”
「人形は……操られているだけだ」 “But dolls, you see... are only being manipulated.”
 いつの間にか魔理沙の顔が紅く染まっていた。夕日が沈んできたのだ。これから昼の時間が短くなっていくので、いよいよ妖怪の力が強くなる一方である。 Marisa’s face was tinted red. the evening sun was already setting. From now on the days would get shorter; and the power of the youkai would only continue to become stronger.
 昨日、釣瓶落としのことを少し考えたのだが、秋の日は釣瓶落としの「釣瓶落とし」とは、「井戸に落とす釣瓶」のことではなく「妖怪の名前」だということではないか。釣瓶落としは、闇夜に木の上から襲いかかる妖怪である。つまり、秋が深まると釣瓶落としが出やすくなるということではないだろうか。これなら、速度と時間の問題は生じない。 Yesterday, I spent some time thinking about the autumn days falling like a bucket. What if the “falling like a bucket” is not referring to “a bucket down a well”, but rather to the “youkai’s name[2]”, the tsurube-otoshi, who attacks people from the top of the trees during dark nights. In other words, maybe it means that as autumn advances, the tsurube-otoshi become more active. In this case, there’s no problem regarding speed or time.
「そりゃ人形は操られてるだろうけど、式神は違うのか? 式神もみんな操られているように見えるんだが……」 “So if dolls are bein' manipulated, what's so different about shikigami? It looks like they're always bein' manipulated too...”
「人形は手を動かすのに、手に繋がれた紐を引っ張る。歩いているように見せるには、手足の紐を交互に動かす。生きているように見せるには、そこら中の紐を引っ張る」 “To make a doll move its hands, you have to pull a string attached to them. To make it look like it's walking, you have to pull the strings on its arms and legs. To make it appear alive, you pull all of them.”
「紐なんてあったかなー」 “But did those dolls have strings...?”
「別に紐でなくてもいいんだよ。魔法でも何でも、何らかの力で操っていることは間違いないんだ。人形が右手を動かすためには、誰かが右手を操らなければいけない。人形に家事手伝いをさせるには、家事手伝いをさせるように操らなければいけない」 “They don’t have to be physical strings. It could be magic or something else, but it’s certainly some kind of manipulating power. For a doll to move its right hand, someone must manipulate it into moving it. For a doll to help with housework, you have to manipulate it into doing housework.”
「器用だな。自分で家事をやった方が楽なんじゃないか?」 “That sounds pretty handy. That should make doin' chores by yourself a snap, right?”
「楽だろうね。でも、同時に操るほど器用ならば、楽ではないが一人ではできないことが可能になるじゃないか」 “I suppose it would. If you can manipulate many at the same time, then not only would it become easier, but it would also let you do things you couldn't normally do by yourself.”
「そうか。ってことは、人形と会話するのも、人形と会話していると見えるように操っている訳か。何ともさもしい一人芝居だ」 “I get it. So that means if a doll is talkin', then it's just bein' manipulated to look like it's talkin'? Just a lame one-person act.”
「そして、式神は使役者の命令通りに動くものなんだ」 “And as for the shikigami, they are like servants who move according to orders.”
「って、何だよ人形と同じじゃないか」 “Hey, isn’t that the same as the dolls?”
 霊夢はコンピュータを前にして、動かないことに諦めてお茶を飲んでいた。コンピュータには余り興味がないらしい。 Reimu was in front of a computer, no longer trying to make it move and now drinking tea. She no longer seemed interested in it.
「まったく違う。式神は命令通り動くことで、別の力を得るものなんだ。さっきの人形の例と比較して言うと、たとえば式神の右手を動かすためには右手を引っ張ったりはしない。手を挙げろ、と言うだけでいい」 “They're completely different. Shikigami move according to orders, and they can have other abilities. If we were to compare it to the dolls example from earlier, you could say that if you want the shikigami to move their hand you don’t have to pull it. Just saying ‘Raise your hand.’ would be enough.”
「式神は生きているからな」 “Because shikigami are alive, after all.”
「生きているだけじゃ命令を聞いてくれないだろう? 僕が君に手を挙げろと言ったところで挙げるかどうか」 “Just because they are alive doesn’t mean they have to follow orders. If I told you to raise your hand, would you do it?”
「挙げるぜ。ほれほれ」 “Yeah, sure. Look!”
「本当にひねくれた奴だ」 “You really are a hopeless case...”
「じゃあ何か? 私がコンピュータを使役するには何が必要なんだ?」 “So then what? What do I have to do if I want to use the computer?”
 ちょっと話している内に店内は、一段と暗さを増していた。もうすぐ、釣瓶落としが跋扈する時間になってしまうだろう。もっとも、この子たちなら喜んで釣瓶落としを探し出してちょっかいをかけるに違いないが。 While we were talking, it had become just a little bit darker. Soon enough it would be the time for the tsurube-otoshi to go on a rampage. But in these girls’ case, it’s more like they would gladly go searching for the tsurube-otoshi even if they had no business doing so.
「それはそうだな……。コンピュータが言うことを聞くくらいの力を持つこと。つまり、『長いものに巻かれる』ことだ」 “Well, in that case... You’d have to at least possess enough power to make the computer listen to what you say. In other words, ‘If you can’t beat them, join them.’”
 幻想郷で、このコンピュータが使える時が来るのだろうか。現状を見る限り、幻想郷にいるものが外の世界の恩恵なしで生活できるようになることはあり得ないだろう。だとしたら、コンピュータを使役するには外の世界に行くしかない。 Will there come a time when these computers could be used in Gensokyo? As far as I can see, it's not likely that the ones in Gensokyo could become used to daily life without the benefits from the outside world. In that case, the only way to employ computers would be to go to the outside world.
 幻想郷の情報の伝達は速い。それは好奇心旺盛なものが多い所為であろう。外の世界の式神が自分の代わりに情報を収集する程度のものならば、今の幻想郷には必要ないのかも知れない。 Transmission of information in Gensokyo is fast. That’s because there’s a lot of curious people. If the people here are able to gather information themselves instead of using these outside world shikigami, then computers might not be needed in Gensokyo at all.
 僕は働かないコンピュータを見て思う。己の修行のためにも、いつかは「長いもの」である外の世界に巻かれる必要がある。幻想郷は外の世界の恩恵に身を委ねているから自由気ままに暮らせているのだ。そのことは、外の世界の品を扱っている僕だからこそよくわかる。 While looking at the non-functional computers, I thought that for the sake of learning, I too would have to someday “join them." "Them" being the outside world. Gensokyo takes the benefits of the outside world for granted, and that’s why everyone leads a freewheeling life here. I understand this only too well, since I deal in items from the outside world.
 自分たちは幻想郷に閉じこもりながら、外の世界から都合のいいものだけを受け取り、自立している振りをしている。それは、もし外の世界が滅べば幻想郷は道連れとなってしまうということを意味している。その上、幻想郷にいては外の世界に影響を与えることもできない。幻想郷に住むものたちが外に出て行かず小さな場所で生活しているのは、それが一番楽であることがわかっているからだ。 Even though we shut ourselves inside Gensokyo, we take from the outside world only the things we deem convenient and pretend to be independent. But the truth is that if the outside world were to crumble, Gensokyo would soon follow. And on top of that, while being in Gensokyo you can’t affect the outside world in any way. The people living in Gensokyo are leading a life in a small place from which they can’t get out, and I understand that to be simply the easiest choice.
 どうせ魔理沙は、コンピュータに家事手伝いでもさせて楽しようと考えていたのだろうが、その狭い空間ならではの堕落した考えでは外の道具は真の姿を見せないだろう。 Marisa was probably thinking of having the computer do her housework for her, but a tool from the outside world wouldn’t show its true nature to the indolent mindset typical of a small place.
 僕が式神を扱うようになるとしたらコンピュータ以外は考えられない。いつかはコンピュータに命令し、今の何倍もの力を身に付ける時が来るまで、外の世界のことを勉強するとしよう。 If I were to use a shikigami, I wouldn’t think of any other than a computer. But until the time I can give orders to computers and attain greater strength than what I have now, I’ll just continue studying about the outside world.
「どうした? 暗くなってきたしそろそろ帰るぜ? コンピュータの動かし方はわからなかったし」 “What happened? It’s already dark, so I guess we better get goin', right? Too bad I couldn’t figure out how to get my computer to work…”
「そうそう、拾いものは余り口に入れないようにね」 “Oh yes, and remember not to put things you find lying around in your mouth.”
「おお、もう結構な時間だな。ってそうだ、二人ともちょっと待って。帰る前に一つサービスしてあげるよ」 “Yes, it is quite late. Oh, yes… Wait a moment, you two. Before you go back I have a gift for you. Think of it as a sample.”
 僕はそう言いながらお勝手の方であるものを探していた。そう、僕を含む幻想郷のものたちがこの式神を働かせるために足りないものは、もっと積極的に長いものに巻かれることなのだ。 I said that with my gift already in mind. Yes, something I could give to these people of Gensokyo who are lacking whatever makes these shikigami move, me included. Something that would convince them to proactively join something bigger.
 僕はコーラを魔理沙と霊夢に差し出した。 I gave a cola to both Marisa and Reimu.

Notes

^ The original was a Japanese proverb that literally means “Coil around big things.” The meaning is basically the same as the Western proverb – that is, that one should rather join the stronger side and take advantage of its strength instead of fighting it.
^ Tsurube-otoshi, meaning something like “falling like a bucket”, is Japanese expression referring to something that falls suddenly and fast. It’s also the name given to a type of youkai that lurks in the treetops to either fall upon an unsuspecting passerby or drop fire or buckets on him. They are represented in the Touhou cast by Kisume.


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