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Strange Creators of Outer World/Introduction of Previous Works/Mountain of Faith/Cross Review
東方風神録全ステージクロスレビュー |
Touhou Fuujinroku ~ Mountain of Faith | |
---|---|---|
「風神録」のステージとボスを識者の方々に振り返ってもらったぞ。早苗さん……あなたって人は……。 |
We had the experts look back on the stages and bosses of Mountain of Faith. Sanae... You're such a... | |
博麗霊夢 博麗神社の巫女さん。好きな音はお賽銭の音。 |
Reimu Hakurei The shrine maiden of Hakurei Shrine. Favorite sound is the sound of donations. | |
霧雨魔理沙 普通の魔法使い。好きなものは他人のマジックアイテム。 |
Marisa Kirisame An ordinary magician. Interests include other people's magic items. | |
東風谷早苗 山の神社の巫女さん。爬虫類も両生類も好き。 |
Sanae Kochiya The shrine maiden of the mountain shrine. Likes both reptiles and amphibians. | |
ZUN エニグマティックデベロッパー。ゲームと酒を愛する二児のパパ。 |
ZUN An enigmatic developer. Game- and sake-loving papa of two. | |
Stage1 秋穣子&秋静葉 |
Stage 1 Minoriko Aki & Shizuha Aki | |
Reimu |
1: |
1: |
Marisa |
6: |
6: |
Sanae |
2: |
2: |
ZUN |
「風神録」の大きなゲームのテーマは、山と信仰です。山といえば秋が映えるイメージなので、一面はこうなりました。秋で信仰だからと秋の神。秋といえば収穫と紅葉。秋全体を司るというと漠然と強すぎるイメージなので、二人に分けて姉妹。いつもシンプルすぎる連想で出来ています。 |
The major themes of the game are the mountain and faith. Mountains look best in autumn, so the first stage turned out like this. Faith in autumn, so autumnal gods. Autumn harvests, the reddening leaves. The idea of presiding over all of autumn was vague and too strong, so I split it between two sisters. As always, they come from an overly simplistic idea. |
Stage2 鍵山雛 |
Stage 2 Hina Kagiyama | |
Reimu |
1: |
1: |
Marisa |
10: |
10: |
Sanae |
1: |
1: |
ZUN |
主人公達は川を遡上して山を登っています。川の近くにはいろいろな妖怪が住んでいると予想出来るからでしょう。そこに流れてきた流し雛が二面です。流し雛は厄を流してしまうものですが、一体誰の厄を纏っているんでしょうねぇ。河童や天狗もそういう風習を持っているのかなと考えると、何だか身近に感じます。 |
The heroines ascend the mountain upstream--they can predict various youkai will be living near the river. A hina doll floats down the river for the second stage. Setting one's hina doll afloat washes away misfortune, but whose misfortune is about this one? When you think about kappa and tengu having the same kind of customs, it makes them feel a little more familiar. |
Stage3 河城にとり |
Stage 3 Nitori Kawashiro | |
Reimu |
5: |
5: |
Marisa |
3: |
3: |
Sanae |
4: |
4: |
ZUN |
山で道に迷ったときは、沢におりるなと子供の頃から教えられてきました。沢を辿った方が人里にたどり着く可能性が高く見えますが、実際には遭難や滑落事故のリスクが高まるそうです。河童が棲んでいる事も原因の一つかも知れません。 |
Children are taught from a young age that if they're lost on a mountain trail not to descend along streams. The chances of arriving at a human village by following the river may look high, but it actually increases the risk of accidents and slipping. The kappa living there might also be a factor. |
Stage4 射命丸文 |
Stage 4 Aya Shameimaru | |
Reimu |
0: |
0: |
Marisa |
4: |
4: |
Sanae |
6: |
6: |
ZUN |
川で一番の見せ所といえば、やはり滝ですね。滝は背景が白くなるからゲームとしてはやりたくなかったのですが、せっかくの川の見せ場を奪うわけにもいかないですからね。滝とカラスという組み合わせが気持ちよさそうという印象はあったのですが、そうでも無かったですね。 |
The best show a river can give is a waterfall. I didn't want to put them in a game since the background would be white, but I can't very well rob the river of its most noteworthy form. I had an impression that waterfalls and crows would look great if they were together, but not really. |
Stage5 東風谷早苗 |
Stage 5 Sanae Kochiya | |
Reimu |
1: |
1: |
Marisa |
8: |
8: |
Sanae |
9.5: |
9.5: |
ZUN |
滝の上は湖だと決めてましたが、ずっと水が続いたので五面に神社を持ってきました。主人公達の足取りをまとめると、川を遡上して滝を登った後に、何故か神社に寄ってから湖にたどり着いたことになります。ミラクルですね。早苗だけに。 |
I knew a lake would be atop the waterfall, but the water kept going, so I brought the fifth stage to the shrine. To trace the footsteps of the heroines, they went up the river, climbed a waterfall, and then stopped by the shrine for some reason before arriving at the lake. It's a miracle. That's for Sanae. |
Stage6 八坂神奈子 |
Stage 6 Kanako Yasaka | |
Reimu |
4: |
4: |
Marisa |
7: |
7: |
Sanae |
10: |
10: |
ZUN |
湖の上で最終決戦です。テーマ的には諏訪湖ですが、高い滝の上にある山の中で信仰と結びつきのある湖というと、中禅寺湖の方を思い浮かべます。季節を冬にして背景に御神渡りができていたりしても面白かったのかなぁ、と妄想が広がるステージですね。波立たない静かな夜の湖がラスト、という構成は個人的には好きです。 |
The final battle takes place on the lake. Thematically, it's Lake Suwa, but given that it's above a tall waterfall in the mountains and related to worship, Lake Chuuzenji comes to mind. The stage gives me wild ideas, like maybe it would have been interesting to make the season winter and have the famed ice ridges form in the background. Personally, I quite like the format of the last battle being on a quiet, wave-less lake at night. |
EXStage 洩矢諏訪子 |
EX Stage Suwako Moriya | |
Reimu |
3: |
3: |
Marisa |
9: |
9: |
Sanae |
9: |
9: |
ZUN |
もう一度神社に戻ってくるのは、守矢神社の本当の祭神は誰なのか、という意味があります。まあ、守矢神社の神様集団は独立して楽しそうなのが良いですよね。もっと諏訪子らしい背景を用意出来れば良かったんですが、まあ作業量的に限界(笑)。 |
Coming back to the shrine is to find out who the true god worshiped at the Moriya Shrine is. And it's rather fun to have the Moriya Shrine gods isolated. I wanted to make the background more Suwako-like, but there's a limit to how much work I can do (laugh). |
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