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*''[[Legacy of Lunatic Kingdom]]'' (Ending No. 3)
*''[[Legacy of Lunatic Kingdom]]'' (Ending No. 3)
*''[[Antinomy of Common Flowers]]'' (Playable Character)
*''[[Antinomy of Common Flowers]]'' (Playable Character)
*''[[Violet Detector]]'' (Nightmare Saturday Boss, Nightmare Diary Boss)
| appPrintworks = *''[[Curiosities of Lotus Asia]]'' (Secondary Character)
| appPrintworks = *''[[Curiosities of Lotus Asia]]'' (Secondary Character)
*''[[Bohemian Archive in Japanese Red]]''
*''[[Bohemian Archive in Japanese Red]]''
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*''[[Strange Creators of Outer World]]'' Vol. 2 (Profile Section, Cross Review Section)
*''[[Strange Creators of Outer World]]'' Vol. 2 (Profile Section, Cross Review Section)
*''[[Visionary Fairies in Shrine]]'' (Chapter 6 cameo)
*''[[Visionary Fairies in Shrine]]'' (Chapter 6 cameo)
*''[[Alternative Facts in Eastern Utopia]]''
*''[[Alternative Facts in Eastern Utopia]]'' (Article)
| appMusicCDs = *''[[Immaterial and Missing Power OST]]'' (CD cover)
| appMusicCDs = *''[[Immaterial and Missing Power OST]]'' (CD cover)
}}
}}
{{nihongo|'''Yukari Yakumo'''|八雲 紫|Yakumo Yukari}} is a legendary [[youkai]] who is able to manipulate boundaries. She is the master of [[Ran Yakumo]]. She is called the {{nihongo|"[[gap]] youkai"|すきま妖怪|sukima youkai}},<ref>As indicated by Ran and [[Chen]]'s titles</ref> although "gap youkai" is not the name of a species, as she is more of a one-of-a-kind type of youkai.<ref>[[Bohemian Archive in Japanese Red]] - [[Bohemian Archive in Japanese Red/Yukari|Yukari]]</ref> Regardless of her power, Yukari appears to be the most ''well-informed'' being in Gensokyo of any kind, and usually achieves her goals through manipulating events rather than direct combat.
{{nihongo|'''Yukari Yakumo'''|八雲 紫|Yakumo Yukari}} is a legendary [[youkai]] who is able to manipulate boundaries. She is the master of [[Ran Yakumo]]. She is called the {{nihongo|"[[gap]] youkai"|すきま妖怪|sukima youkai}},<ref>As indicated by Ran and [[Chen]]'s titles</ref> although "gap youkai" is not the name of a species, as she is more of a one-of-a-kind type of youkai.<ref>[[Bohemian Archive in Japanese Red]] - [[Bohemian Archive in Japanese Red/Yukari|Yukari]]</ref> Regardless of her power, Yukari appears to be the most ''well-informed'' being in Gensokyo of any kind and usually achieves her goals through manipulating events rather than direct combat.


==General Information==
==General Information==
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===Abilities and strength===
===Abilities and strength===
Yukari is with no doubt one of the most powerful [[youkai]] in [[Gensokyo]]. A few other youkai like [[Suika Ibuki]] and [[Yuugi Hoshiguma]] have been considered to be around her level. Yukari also refers to [[Watatsuki no Toyohime]] as being stronger than she is, and tries to avoid direct confrontations with her. Despite her power, she might still lose [[spell card]] battles to [[human]]s or youkai.
Yukari is with no doubt one of the most powerful [[youkai]] in [[Gensokyo]]. A few other youkai like [[Suika Ibuki]] and [[Yuugi Hoshiguma]] have been considered to be around her level. Yukari also refers to [[Watatsuki no Toyohime]] as being stronger than she is and tries to avoid direct confrontations with her. Despite her power, she might still lose [[spell card]] battles to [[human]]s or youkai.


Her physical strength is what you'd expect from a youkai. While the extent of an average youkai's strength is never really specified, their bodily ability is typically very high, so her strength is still far from that of a [[human]].  
Her physical strength is what you'd expect from a youkai. While the extent of an average youkai's strength is never really specified, their bodily ability is typically very high, so her strength is still far from that of a [[human]].  
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'''Yukari''':Shooting, cutting, stabbing, hitting, killing... It's all useless against me.<br />
'''Yukari''':Shooting, cutting, stabbing, hitting, killing... It's all useless against me.<br />


'''Yukari''': I'll tell you a secret. My weakness is... nothing. </ref> In ''[[Perfect Memento in Strict Sense]]'', her ability is yet again described as being "without weaknesses", and as one of the most dangerous that youkai are known to possess. Her ''[[Imperishable Night]]'' profile also states that ''"she easily has enough power to annihilate all of Gensokyo if she so desires"''<ref>[[Imperishable Night]] - Yukari's Profile</ref>, while the manual says that ''"the danger and power of her ability is beyond imagination"''.<ref>[[Imperishable Night]] - Manual: The danger and potency of the power to manipulate boundaries is beyond imagination. It's something that can only be controlled by those who are able to withstand its stress, or some weirdo youkai like Yukari.</ref>
'''Yukari''': I'll tell you a secret. My weakness is... nothing. </ref> In ''[[Perfect Memento in Strict Sense]]'', her ability is yet again described as being "without weaknesses", and as one of the most dangerous that youkai are known to possess. Her ''[[Imperishable Night]]'' profile also states that ''"she easily has enough power to annihilate all of Gensokyo if she so desires"''<ref>[[Imperishable Night]] - Yukari's Profile</ref>, while the manual says that ''"the danger and potency of her ability is beyond imagination"''.<ref>[[Imperishable Night]] - Manual: The danger and potency of the power to manipulate boundaries is beyond imagination. In order to wield it, you'd have to either be a somewhat-weird [[youkai]] like Yukari, or someone who can withstand the power's pressure.</ref>


By mostly moving around in [[gap]]s, one would usually not see her as doing much physical labor at all, and according to ''[[Scarlet Weather Rhapsody]]'', since she ends up in blurting out herself such sayings like "to do mountain climbing at such an age", there is the image that she is like an indoors-type [[youkai]], but in the end, she is still a youkai.  
By mostly moving around in [[gap]]s, one would usually not see her as doing much physical labor at all, and according to ''[[Scarlet Weather Rhapsody]]'', since she ends up in blurting out herself such sayings like "to do mountain climbing at such an age", there is the image that she is like an indoors-type [[youkai]], but in the end, she is still a youkai.  
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[[File:GoMIllus-Yukari.jpg|thumb|200px|Yukari's "Danmaku Barrier", as illustrated in ''[[The Grimoire of Marisa]]''.]]
[[File:GoMIllus-Yukari.jpg|thumb|200px|Yukari's "Danmaku Barrier", as illustrated in ''[[The Grimoire of Marisa]]''.]]
[[File:SSIBCH10YukariBorder.jpg|thumb|200px|Yukari using a border for transportation in ''[[Silent Sinner in Blue]]''.]]
[[File:SSIBCH10YukariBorder.jpg|thumb|200px|Yukari using a border for transportation in ''[[Silent Sinner in Blue]]''.]]
With the word "[[boundary]]" in its name, Yukari is capable of pretty much anything put under the influence of this ability. In her monologue during [[A Beautiful Flower Blooming Violet Every Sixty Years]], she explains that this power allows her to control the boundaries "between any and all things", like Gensokyo and the outside world, the worlds of the living and the dead, humans and youkai, and even the day and the night. <ref>[[A Beautiful Flower_Blooming Violet Every Sixty Years]] - '''Yukari''': I'm a youkai with the ability to control the boundaries between any and all things. This power allows me to remove the boundary between anything: Gensokyo and the outside world, the worlds of the living and the dead, humans and youkai, even day and night.</ref> The most common application of Yukari's boundary manipulation abilities is opening {{nihongo|"[[gap]]s"|すきま|sukima}} which act as portals between two places, where she's able to hold, sit on or emerge from such gaps. By manipulating borders in space and creating a chasm, she is able to link together separate places. According to this, she's able to show up in unexpected places from time to time, but the aforementioned suspiciousness has been refined. Although this gap is a kind of sub-space, within Yukari's gap, one can see a lot of eyes. These eyes are a manifestation of what one can say is the image of "how desires are swirling around" that Yukari sees in the [[Outside World|outside world]]. The description of Yukari's Magic Eye "Laplace's Demon" [[spell card]] implies that Yukari can see using the eyes, as well. Also, although sign posts and other flotsam also drift about, these things also come from Yukari's image of "things that have come to be of no use in the outside world".  
With the word "[[boundary]]" in its name, Yukari is capable of pretty much anything put under the influence of this ability. In her monologue during [[A Beautiful Flower Blooming Violet Every Sixty Years]], she explains that this power allows her to control the boundaries "between any and all things", like Gensokyo and the outside world, the worlds of the living and the dead, humans and youkai and even the day and the night. <ref>[[A Beautiful Flower_Blooming Violet Every Sixty Years]] - '''Yukari''': I'm a youkai with the ability to control the boundaries between any and all things. This power allows me to remove the boundary between anything: Gensokyo and the outside world, the worlds of the living and the dead, humans and youkai, even day and night.</ref> The most common application of Yukari's boundary manipulation abilities is opening {{nihongo|"[[gap]]s"|すきま|sukima}} which act as portals between two places, where she's able to hold, sit on or emerge from such gaps. By manipulating borders in space and creating a chasm, she is able to link together separate places. According to this, she's able to show up in unexpected places from time to time, but the aforementioned suspiciousness has been refined. Although this gap is a kind of sub-space, within Yukari's gap, one can see a lot of eyes. These eyes are a manifestation of what one can say is the image of "how desires are swirling around" that Yukari sees in the [[Outside World|outside world]]. The description of Yukari's ''Magic Eye "Laplace's Demon"'' [[spell card]] implies that Yukari can see using the eyes, as well. Also, although sign posts and other flotsam also drift about, these things also come from Yukari's image of "things that have come to be of no use in the outside world".  


Other than that, since there is a boundary on the water surface so to speak, as there is definitely a distinction between water and atmosphere, and since there is the boundary called the horizon that separates the sky from the earth, as was said, she can freely manipulate the boundary of all existent things at will. According to ''[[Perfect Memento in Strict Sense]]'', it seems that not only are physical boundaries, but also the general idea of boundaries are also able to be manipulated, and it seems like she would be able to manipulate the boundary between dreams and reality and open up holes for people to enter into dreams. Yukari is also capable of seeing (and seeing through) boundaries that are normally invisible; when the [[Human Village]] was displaced from history by [[Keine Kamishirasawa]], Yukari was still able to see it.<ref>''[[Imperishable Night]]'' Stage 3 - "Hey hey. I do see the humans as usual though. A deception of this level isn't useful at all, is it?"</ref>.
Other than that, since there is a boundary on the water surface so to speak, as there is definitely a distinction between water and atmosphere, and since there is the boundary called the horizon that separates the sky from the earth, as was said, she can freely manipulate the boundary of all existent things at will. According to ''[[Perfect Memento in Strict Sense]]'', it seems that not only are physical boundaries, but also the general idea of boundaries are also able to be manipulated, and it seems like she would be able to manipulate the boundary between dreams and reality and open up holes for people to enter into dreams, which is probably how she was able to drag the real [[Sumireko Usami]] out of the [[Dream World]] in [[Antinomy of Common Flowers]]. Yukari is also capable of seeing (and seeing through) boundaries that are normally invisible; when the [[Human Village]] was displaced from history by [[Keine Kamishirasawa]], Yukari was still able to see it.<ref>''[[Imperishable Night]]'' Stage 3 - "Hey hey. I do see the humans as usual though. A deception of this level isn't useful at all, is it?"</ref>.


It's shown that Yukari can also control the boundaries and bend them to her will as seen in ''[[Immaterial and Missing Power]]'' when she adjusted the sky by manipulating the border between the daylight and moonlight to unite the day and the night.<ref>''[[Immaterial and Missing Power]] Border Line - "While you were teasing me I adjusted the sky to enjoy both night and day. If the night falls now, the sky will be morning. The border of daylight and moonlight is mine"</ref> According to [[Marisa Kirisame]], Yukari can even control the boundary between "a [[danmaku]] for play and a danmaku for battle".<ref name="GoM">[[The Grimoire of Marisa]]: [[The Grimoire of Marisa/Yukari Yakumo's Spell Cards|Yukari Yakumo]]</ref>
It's shown that Yukari can also control the boundaries and bend them to her will as seen in ''[[Immaterial and Missing Power]]'' when she adjusted the sky by manipulating the border between the daylight and moonlight to unite the day and the night.<ref>''[[Immaterial and Missing Power]] Border Line - "While you were teasing me I adjusted the sky to enjoy both night and day. If the night falls now, the sky will be morning. The border of daylight and moonlight is mine"</ref> According to [[Marisa Kirisame]], Yukari can even control the boundary between "a [[danmaku]] for play and a danmaku for battle".<ref name="GoM">[[The Grimoire of Marisa]]: [[The Grimoire of Marisa/Yukari Yakumo's Spell Cards|Yukari Yakumo]]</ref>


There are limits to the kinds of places Yukari can connect with her gaps; she required multiple trips to reach [[Heaven]] in ''[[Scarlet Weather Rhapsody]]'', while in ''[[Silent Sinner in Blue]]'' she could only create a gap to the [[Moon]] under highly specific circumstances (and had to travel much of the distance to the Lunar Capital on foot). She is, however, capable of travelling between [[Gensokyo]] and the [[Outside World]]. Yukari can create gaps through which only she can pass, or through which anything can pass.<ref>[[Perfect Memento in Strict Sense/Yukari_Yakumo|Perfect Memento in Strict Sense: Yukari Yakumo]] - "No one can follow her through the gaps". Despite this statement, various canon works show her opening gaps for others to use.</ref>
Although Yukari's gaps can ultimately connect any kind of place, in ''[[Silent Sinner in Blue]]'' she could only create a gap to the [[Moon]] under highly specific circumstances. She is, however, capable of travelling between [[Gensokyo]] and the [[Outside World]]. Yukari can create gaps through which only she can pass, or through which anything can pass.<ref>[[Perfect Memento in Strict Sense/Yukari_Yakumo|Perfect Memento in Strict Sense: Yukari Yakumo]] - "No one can follow her through the gaps". Despite this statement, various canon works show her opening gaps for others to use.</ref>


Ultimately, since existence of anything consists of having a boundary, for anything to lose its boundary is a very big thing, as it would then not be able to have its own individual existence. As the rules that govern boundaries would govern this, it is said that to make a new boundary is to create a new existence, and to destroy a boundary is to negate an existence. [[Hieda no Akyuu]] evaluated this ability, saying "there is not any sort of defense method nor countermeasure, a power comparable to the power of gods". However, Yukari is capable of sensing and repairing damage to the [[Great Hakurei Barrier]], and is widely believed to have aided in its construction ([[Yuyuko Saigyouji]] states that Yukari could not have done so herself). To add to all this, [[Hieda no Akyuu]] writes that "manipulation of boundaries" is theoretically a godlike power which would allow Yukari to create or destroy anything, but that all the stories about it are impossible to confirm.<ref name="PMiSSYukari" />
Ultimately, since the existence of anything consists of having a boundary, for anything to lose its boundary is a very big thing, as it would then not be able to have its own individual existence. As the rules that govern boundaries would govern this, it is said that to make a new boundary is to create a new existence, and to destroy a boundary is to negate an existence. [[Hieda no Akyuu]] evaluated this ability, saying "there is not any sort of defense method nor countermeasure, a power comparable to the power of gods". Yukari is also capable of sensing and repairing damage to the [[Great Hakurei Barrier]], and although in ''[[Perfect Cherry Blossom]]'' [[Yuyuko Saigyouji]] doubts Yukari could make such a strong barrier,<ref>[[Perfect Cherry Blossom]] Reimu B Ending. Yuyuko comments that she doesn't think even Yukari could have made the Hakurei barrier by herself.</ref> she has been refered to as its creator in various occasions.<ref name ="Wahh25">[[Wild and Horned Hermit]] - '''Chapter 25:''' Reimu refers to Yukari as the creator of the barrier.</ref><ref name="CoLA26">[[Curiosities of Lotus Asia]] - '''Chapter 26:''' Prologue and Rinnosuke's monologue.</ref> To add to all this, [[Hieda no Akyuu]] writes that "manipulation of boundaries" is theoretically a godlike power which would allow Yukari to create or destroy anything, but that all the stories about it are impossible to confirm.<ref name="PMiSSYukari" />  


Examples of the usage of this ability:
Examples of the usage of this ability:
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===Border of Gensokyo===
===Border of Gensokyo===
Since then, Yukari has had numerous roles in managing Gensokyo and the youkai. She authored a system of constellations for the youkai<ref name="CoLACh22">[[Curiosities of Lotus Asia]]: [[Curiosities of Lotus Asia/Chapter 22|Chapter 22]]</ref>. She enacted the Youkai Expansion Project 500 years ago by creating a border between illusion and reality around Gensokyo. She was one of several youkai who suggested the creation of the [[Great Hakurei Barrier]] 120 years ago and presumably was one of several that contributed to its creation.<ref name="PMiSSYukari" /><ref>[[Perfect Cherry Blossom]] Reimu B Ending. Yuyuko comments that she doesn't think even Yukari could have made the Hakurei barrier by herself.</ref>
Since then, Yukari has had numerous roles in managing Gensokyo and the youkai. She authored a system of constellations for the youkai<ref name="CoLACh22">[[Curiosities of Lotus Asia]]: [[Curiosities of Lotus Asia/Chapter 22|Chapter 22]]</ref>. She enacted the Youkai Expansion Project 500 years ago by creating a border between illusion and reality around Gensokyo. She was one of the sages who suggested the creation of the [[Great Hakurei Barrier]] 120 years ago, and is believed to be its creator,<ref name ="Wahh25" /> or at least one of its creators<ref name="PMiSSYukari" />


The Gensokyo Record in [[Perfect Cherry Blossom/Translation/Prologue|''Perfect Cherry Blossom''<nowiki>'</nowiki>s prologue]] says that the original Gensokyo boundary (presumably the first "boundary between inside and outside" mentioned in Yukari's ''[[Perfect Memento in Strict Sense]]'' article) was created by priests, but [[ZUN]] said in his [[ZUN's E-mails|e-mails]] that the Gensokyo Record is not reliable, and that only the long lived youkai knows the true history of Gensokyo. [[Hieda no Akyuu]] firmly believes Yukari was involved and [[Curiosities of Lotus Asia/Chapter 26|''Curiosities of Lotus Asia'' Chapter 26]]'s prologue states that Yukari being its actual creator is an ongoing rumor. According to Rinnosuke, Yukari's power is what separates Gensokyo from the outside world, and Reimu refered to Yukari as the creator of the barrier when explaining its properties to [[Kasen Ibaraki]] and [[Marisa Kirisame]].<ref>[[Wild and Horned Hermit]] - Chapter 25</ref>
The Gensokyo Record in [[Perfect Cherry Blossom/Translation/Prologue|''Perfect Cherry Blossom''<nowiki>'</nowiki>s prologue]] says that the original Gensokyo boundary (presumably the first "boundary between inside and outside" mentioned in Yukari's ''[[Perfect Memento in Strict Sense]]'' article) was created by priests, but [[ZUN]] said in his [[ZUN's E-mails|e-mails]] that the Gensokyo Record is not reliable, and that only the long lived youkai knows the true history of Gensokyo. [[Hieda no Akyuu]] firmly believes Yukari was involved, and the prologue of [[Curiosities of Lotus Asia/Chapter 26|''Curiosities of Lotus Asia'', Chapter 26]],<ref name="CoLA26" />. states that Yukari being the creator of the barrier that separates the human world and Gensokyo is an ongoing rumor. According to Rinnosuke, Yukari's power is what separates Gensokyo from the outside world,<ref name="CoLA26" /> and Reimu refered to Yukari as the creator of the barrier when explaining its properties to [[Kasen Ibaraki]] and [[Marisa Kirisame]].<ref name = Wahh25 />


===Yukari and "The Vampire Incident"===
===Yukari and "The Vampire Incident"===
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[[Curiosities of Lotus Asia/Chapter 26|Chapter 26]] of ''[[Curiosities of Lotus Asia]]'' reveals that Yukari gave herself that name, in which she didn't have that name 1,200 years ago<ref name="PMiSSYukari" />. Probably a coincidence, there is a train service in Japan called {{nihongo|"[[wikipedia:Yakumo (train)|Yakumo]]"|[[wikipedia:ja:やくも (列車)|やくも]]}}.
[[Curiosities of Lotus Asia/Chapter 26|Chapter 26]] of ''[[Curiosities of Lotus Asia]]'' reveals that Yukari gave herself that name, in which she didn't have that name 1,200 years ago<ref name="PMiSSYukari" />. Probably a coincidence, there is a train service in Japan called {{nihongo|"[[wikipedia:Yakumo (train)|Yakumo]]"|[[wikipedia:ja:やくも (列車)|やくも]]}}.


;Yukari's name related to Colors
;Yukari's name related to colors
All of the Yakumo family are named after colors. The light frequencies (energies) of the colors are proportional to their powers: [[Chen]] (orange) << [[Ran Yakumo]] (indigo) < Yukari (violet). The energy of violet light is the highest in the visible spectrum, and violet light is the boundary between visible and invisible light. Red light (the symbolic color of [[Remilia Scarlet]] or [[Reimu Hakurei]]) is another boundary, but they are stronger than Chen. Fittingly, when Reimu and Yukari team up in ''[[Imperishable Night]]'', they are called the "Boundary Team". In addition to maintaining the [[Great Hakurei Barrier]], their colors form the two boundaries between visible and invisible light. In addition, the word "yukari" is uncommonly used to mean "border" or "edge", albeit with a different character.
All of the Yakumo family are named after colors. The light frequencies (energies) of the colors are proportional to their powers: [[Chen]] (orange) << [[Ran Yakumo]] (indigo) < Yukari (violet). The energy of violet light is the highest in the visible spectrum, and violet light is the boundary between visible and invisible light. Red light (the symbolic color of [[Remilia Scarlet]] or [[Reimu Hakurei]]) is another boundary, but they are stronger than Chen. Fittingly, when Reimu and Yukari team up in ''[[Imperishable Night]]'', they are called the "Boundary Team". In addition to maintaining the [[Great Hakurei Barrier]], their colors form the two boundaries between visible and invisible light. In addition, the word "yukari" is uncommonly used to mean "border" or "edge", albeit with a different character.


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There is an assumption that her name ''Yakumo'' is taken from the writer [[wikipedia:Lafcadio Hearn|Lafcadio Hearn]], who naturalized as a Japanese citizen and renamed to "Koizumi Yakumo". When fans asked about the implied connection between Yukari and [[Maribel Hearn]] in a [[Doujin Barrier: The Work Called Touhou and the Fantasy of Game Creation|high school open lecture program]], ZUN brought up Lafcadio Hearn but did not elaborate. ''See [[Maribel Hearn]] article page for details.''
There is an assumption that her name ''Yakumo'' is taken from the writer [[wikipedia:Lafcadio Hearn|Lafcadio Hearn]], who naturalized as a Japanese citizen and renamed to "Koizumi Yakumo". When fans asked about the implied connection between Yukari and [[Maribel Hearn]] in a [[Doujin Barrier: The Work Called Touhou and the Fantasy of Game Creation|high school open lecture program]], ZUN brought up Lafcadio Hearn but did not elaborate. ''See [[Maribel Hearn]] article page for details.''


;Yukari's name related to an Ancient poem
;Yukari's name related to an ancient poem
''Yakumo'' also comes from the first ancient poem written in what would become the Japanese "Tanka" form:
''Yakumo'' also comes from the first ancient poem written in what would become the Japanese "Tanka" form:
:"Yakumo tatsu / Izumo yagegaki / Tsuma-gomini / Yaegaki tsukuro / Sono yaegaki wo"
:"Yakumo tatsu / Izumo yagegaki / Tsuma-gomini / Yaegaki tsukuro / Sono yaegaki wo"
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===Design===
===Design===
Her first appearance was in ''[[Perfect Cherry Blossom]]'', where she is depicted with purple eyes and long blonde hair. She carries a pink lace parasol and a paper fan, and rides on a red [[gap]] that leads to an unknown destination. She wears a deep purple dress, a pale pink mob cap with a thin red ribbon, and smaller ribbons tied liberally on her accessories and the tips of her hair.
Her first appearance was in ''[[Perfect Cherry Blossom]]'', where she is depicted with purple eyes and long blonde hair. She carries a pink lace parasol and a paper fan and rides on a red [[gap]] that leads to an unknown destination. She wears a deep purple dress, a pale pink mob cap with a thin red ribbon and smaller ribbons tied liberally on her accessories and the tips of her hair.


In her appearances in ''[[Immaterial and Missing Power]]'' and ''[[Scarlet Weather Rhapsody]]'', her eyes have become dark golden. She wears a purple Chinese-style tabard with various [[#Hexagram|Trigrams]] over a pale pink Western-style dress (similar to [[Ran Yakumo]]'s outfit), wears her hair coiled up into her mob cap, and usually carries a pink parasol. She wears the same outfit in ''[[Imperishable Night]]'', but her hair is left loose. In the Japanese community this outfit is known as the {{nihongo|"Taoist dress"|道士服}}.
In her appearances in ''[[Immaterial and Missing Power]]'' and ''[[Scarlet Weather Rhapsody]]'', her eyes have become dark golden. She wears a purple Chinese-style tabard with various [[#Hexagram|Trigrams]] over a pale pink Western-style dress (similar to [[Ran Yakumo]]'s outfit), wears her hair coiled up into her mob cap, and usually carries a pink parasol. She wears the same outfit in ''[[Imperishable Night]]'', but her hair is left loose. In the Japanese community this outfit is known as the {{nihongo|"Taoist dress"|道士服}}.
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In ''[[Antinomy of Common Flowers]]'', her sleeves get black bands with a white design on them.
In ''[[Antinomy of Common Flowers]]'', her sleeves get black bands with a white design on them.


According to ZUN, the purple dress in ''Perfect Cherry Blossom'' is her casual daywear, and the pink one with the Ba Gua symbol in ''Imperishable Night'' is the work attire she wears when she commands her Shikigami.{{citation needed}}
According to ZUN, the purple dress in ''Perfect Cherry Blossom'' is her casual daywear and the pink one with the Ba Gua symbol in ''Imperishable Night'' is the work attire she wears when she commands her Shikigami.{{citation needed}}


;Hexagram
;Hexagram
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==Story==
==Story==
===Games===
===Games===
{{stub|section}}
;''Perfect Cherry Blossom''
;''Perfect Cherry Blossom''
[[File:Th07YukariSprite.png|frame|Yukari's sprite in ''PCB'']]
[[File:Th07YukariSprite.png|frame|Yukari's sprite in ''PCB'']]
<Insert General Summary>  
<!--<Insert General Summary>  
:{{Main|Perfect Cherry Blossom/Story/Reimu's Extra|l1=Reimu Arc}}
:{{Main|Perfect Cherry Blossom/Story/Reimu's Extra|l1=Reimu Arc}}
<Insert Summary>  
<Insert Summary>  
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<Insert Summary>  
<Insert Summary>  
:{{Main|Perfect Cherry Blossom/Story/Sakuya's Extra|l1=Sakuya Arc}}
:{{Main|Perfect Cherry Blossom/Story/Sakuya's Extra|l1=Sakuya Arc}}
<Insert Summary>  
<Insert Summary> -->


;''Imperishable Night''
;''Imperishable Night''
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;''Touhou Hisoutensoku''
;''Touhou Hisoutensoku''
:{{Main|Touhou Hisoutensoku/Translation/Yuyuko's Script|l1=Touhou Hisoutensoku Story}}
:{{Main|Touhou Hisoutensoku/Translation/Yukari's Script|l1=Touhou Hisoutensoku Story}}
If connecting ''SWR'' with ''[[Touhou Hisoutensoku]]'', then Yukari can become a selectable character to play with, although she appears in no scenarios.
If connecting ''SWR'' with ''[[Touhou Hisoutensoku]]'', then Yukari can become a selectable character to play with, although she appears in no scenarios.


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:{{Main|Impossible Spell Card#Story|l1=Impossible Spell Card: Story}}
:{{Main|Impossible Spell Card#Story|l1=Impossible Spell Card: Story}}
After apparently reading the newspaper by the [[tengu]] about a mischief-making [[amanojaku]], she becomes one of the many strong [[youkai]] and [[human]]s to try and stop [[Seija Kijin]] in the final day. She uses [[spell card]]s that are considered impossible to dodge.
After apparently reading the newspaper by the [[tengu]] about a mischief-making [[amanojaku]], she becomes one of the many strong [[youkai]] and [[human]]s to try and stop [[Seija Kijin]] in the final day. She uses [[spell card]]s that are considered impossible to dodge.
;''Antinomy of Common Flowers''
:{{Main|Antinomy of Common Flowers#Story|l1=Antinomy of Common Flowers: Story}}
Yukari is investigating the "Perfect Possession" phenomenon. She already knows who the culprits are and she is looking for a way to deal with them, but many people think that she is involved and fight her.
;''Violet Detector''
:{{Main|Violet_Detector#Story|l1=Violet Detector: Story}}
Yukari appears as a boss along with other characters but does not have any dialogue.


===Literature===
===Literature===
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;''Wild and Horned Hermit''
;''Wild and Horned Hermit''
<insert summary>


;''Symposium of Post-mysticism''
;''Symposium of Post-mysticism''
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[[Marisa Kirisame]] once stated that Yukari uses a small box to talk to her [[shikigami]] when they are far away from her, which led Rinnosuke to believe that she owns a phone. She has given characters phone-like devices in ''[[Subterranean Animism]]''. Yukari mentions in ''[[Oriental Sacred Place]]'' chapter 10 that radio towers fall into Gensokyo every once in a while. Presumably her phones use those in order to work.
[[Marisa Kirisame]] once stated that Yukari uses a small box to talk to her [[shikigami]] when they are far away from her, which led Rinnosuke to believe that she owns a phone. She has given characters phone-like devices in ''[[Subterranean Animism]]''. Yukari mentions in ''[[Oriental Sacred Place]]'' chapter 10 that radio towers fall into Gensokyo every once in a while. Presumably her phones use those in order to work.
Many of her fighting game win quotes make references to the outside world.


It was said that she lived in an estate somewhere in [[Gensokyo]], but other than that, nothing is known. It is said that her residence is at the end of Gensokyo just like how the [[Hakurei Shrine]] is, but the true location is completely unclear.
It was said that she lived in an estate somewhere in [[Gensokyo]], but other than that, nothing is known. It is said that her residence is at the end of Gensokyo just like how the [[Hakurei Shrine]] is, but the true location is completely unclear.
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Yuugi is one of the [[oni]] (presumably Suika is another) that Yukari made a deal with. In exchange for keeping the [[Evil spirit|evil spirit]]s of former [[hell]] in control, Yukari would give them their own place in the [[Underworld]] and keep the overworld [[youkai]] from intruding. Unlike Suika, Yukari does not seem to have any personal attachments to Yuugi. As an aside, from Yukari's ''[[Immaterial and Missing Power]]'' ending, Yukari believes that if the oni ever do come back to [[Gensokyo]], it must be gradual instead of all oni coming back at once.
Yuugi is one of the [[oni]] (presumably Suika is another) that Yukari made a deal with. In exchange for keeping the [[Evil spirit|evil spirit]]s of former [[hell]] in control, Yukari would give them their own place in the [[Underworld]] and keep the overworld [[youkai]] from intruding. Unlike Suika, Yukari does not seem to have any personal attachments to Yuugi. As an aside, from Yukari's ''[[Immaterial and Missing Power]]'' ending, Yukari believes that if the oni ever do come back to [[Gensokyo]], it must be gradual instead of all oni coming back at once.


===Sages of Gensokyo===
;[[Kasen Ibaraki]]
;[[Kasen Ibaraki]]
It is unknown how long Yukari and Kasen have known each other, but both are [[youkai sages]]. The monologue in [[Perfect Memento in Strict Sense]] states it was the youkai sages who proposed the Hakurei Barrier, so Yukari and Kasen probably knew each other since at least that time.


It is unknown how long Yukari and Kasen have known each other, but both are [[youkai sages]]. The monologue in [[Perfect Memento in Strict Sense]] states it was the youkai sages who proposed the Hakurei Barrier, so Yukari and Kasen probably knew each other since at least that time.
After Kasen came down from the mountain in the present day, Yukari assumed Kasen was always "on her side" and that Kasen's actions were intended to help Yukari's ideals. Kasen finally got fed up by the time of Wild and Horned Hermit Chapter 35 and angrily informed Yukari that she wasn't on her side. This caused Yukari a brief visible moment of distress before she regained her composure, but she also stated she would wait as long as it takes for Kasen to come to her side.


After Kasen came down from the mountain in the present day, Yukari assumed Kasen was always "on her side" and that Kasen's actions were intended to help Yukari's ideals. Kasen finally got fed up by the time of Wild and Horned Hermit Chapter 35 and angrily informed Yukari that she wasn't on her side. The outburst actually caused Yukari a brief visible moment of distress before Yukari regained her composure, but Yukari stated she would wait as long as it takes for Kasen to come to her side.
Kasen's dream self in [[Antinomy of Common Flowers]] calls Yukari a coward who gets others to do her work for her because she's too scared to do it herself. As dream selves are unrestrained exaggerations of the real being, it is uncertain how much of this reflects Kasen's actual view of Yukari, but from Doremy's explanation of dream selves in Reisen's scenario, it does mean Kasen's normal feelings fall along those lines at least somewhat.


Kasen's dream self in [[Antimony of Common Flowers]] calls Yukari a coward who gets others to do her work for her because she's too scared to do it herself. As dream selves are unrestrained exaggerations of the real being, it is uncertain how much of this reflects Kasen's actual view of Yukari, but from Doremy's explanation of dream selves in Reisen's scenario, it does mean Kasen's normal feelings fall along those lines at least somewhat.
;[[Okina Matara]]
Another one of the [[youkai sages]]. It's implied in Reimu's extra stage in ''[[Hidden Star in Four Seasons]]'' that the two are familiar with each other, and that Yukari helped Reimu defeating Okina by suggesting her to use the "boundary between seasons" to fight her. Okina recognized Yukari's modus operandi, while Reimu said she didn't understand the logic behind the countermeasure method she was using. During the fire works festival that Usami wrote about in [[The Grimoire of Usami]], the two banter about things as equals.


===Residents of the Scarlet Devil Mansion===
===Residents of the Scarlet Devil Mansion===
;[[Remilia Scarlet]]
;[[Remilia Scarlet]]
Yukari uses Remilia as part of her scheme to extract the residence tax and get revenge on the Lunarians in ''[[Silent Sinner in Blue]]''. Patchouli reveals Remilia knew she was manipulated but didn't care, because she was bored. Remilia herself has an unexplained rivalry of sorts with Yukari, wanting to get to the [[Moon]] in her own way before Yukari could to surprise her. This rivalry might be due to the power struggle mentioned in [[Perfect Memento in Strict Sense/Vampire|''Perfect Memento in Strict Sense''<nowiki>'</nowiki>s Vampire article]], possibly starting with the vampire incident. The rivalry is mostly friendly (and only Remilia seems to care), as Remilia has no objections to Yukari staying for the party at the end of ''Silent Sinner in Blue'' or assisting her with investigating in ''[[Scarlet Weather Rhapsody]]''.
Yukari uses Remilia as part of her scheme to extract the residence tax and get revenge on the Lunarians in ''[[Silent Sinner in Blue]]''. Patchouli reveals Remilia knew she was manipulated but didn't care, because she was bored. Remilia herself has an unexplained rivalry of sorts with Yukari, wanting to get to the [[Moon]] in her own way before Yukari could to surprise her. This rivalry might be due to the power struggle mentioned in [[Perfect Memento in Strict Sense/Vampire|''Perfect Memento in Strict Sense''<nowiki>'</nowiki>s Vampire article]], possibly starting with the vampire incident. The rivalry is mostly on Remilia's part, though Remilia has no objections to Yukari staying for the party at the end of ''Silent Sinner in Blue'' or assisting her with investigating in ''[[Scarlet Weather Rhapsody]]''.


Dialogues in ''[[Immaterial and Missing Power]]'' seems to imply they've already known each other before that game. It is possible they met at the [[vampire]] incident, and that Yukari was the one that signed "the contract" with Remilia.
Dialogues in ''[[Immaterial and Missing Power]]'' seems to imply they've already known each other before that game. It is possible they met at the [[vampire]] incident, and that Yukari was the one that signed "the contract" with Remilia.
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;[[Three Fairies of Light]]
;[[Three Fairies of Light]]
Yukari met the Three Fairies of Light in a continuation of chapter 0 in ''[[Eastern and Little Nature Deity]]'' chapter 5, asking if she could join in on their pranks. They ran away from her. Later, in ''[[Strange and Bright Nature Deity]]'', Yukari needed to repair a tree that was part of the [[Great Hakurei Barrier]]. She did so by moving the three fairies into it, but only after testing that they were too weak to cause serious trouble. They failed the test with flying colors, so Yukari let them move in. Sunny's ability to reflect some of Yukari's [[danmaku]] did impress her a bit.
Yukari met the Three Fairies of Light in a continuation of chapter 0 in ''[[Eastern and Little Nature Deity]]'' chapter 5, asking if she could join in on their pranks. They ran away from her. Later, in ''[[Strange and Bright Nature Deity]]'', Yukari needed to repair a tree that was part of the [[Great Hakurei Barrier]]. She did so by moving the three fairies into it, but only after testing that they were too weak to cause serious trouble. They failed the test with flying colors, so Yukari let them move in. Sunny's ability to reflect some of Yukari's [[danmaku]] did impress her a bit.
;[[Okina Matara]]
Another one of the [[youkai sages]]. It's implied in Reimu's extra stage in ''[[Hidden Star in Four Seasons]]'' that the two are familiar with each other, and that Yukari helped Reimu defeating Okina by suggesting her to use the "boundary between seasons" to fight her. Okina recognized Yukari's modus operandi, while Reimu said she didn't understand the logic behind the countermeasure method she was using.


==Gallery==
==Gallery==
<gallery>
<gallery>
File:YukariPCB.png|Yukari artwork from ''[[Perfect Cherry Blossom]]''
File:Th075Yukari.png|Yukari in ''[[Immaterial and Missing Power]]''
File:Th08YukariYakumo.png|Yukari in ''[[Imperishable Night]]''
File:Th08YukariLastWord.png|Yukari artwork in her Last Word with blue ribbons from ''[[Imperishable Night]]''
File:Th105Yukari.png|Yukari in ''[[Scarlet Weather Rhapsody]]'' and ''[[Touhou Hisoutensoku]]''
File:TH155_Yukari_full.png|Yukari with a gap in ''[[Antinomy of Common Flowers]]''
File:Th155Yukari2.png|Yukari's portrait from ''[[Antinomy of Common Flowers]]''
File:Th155Yukari3.png|Yukari's pre-battle portrait from ''[[Antinomy of Common Flowers]]''
File:Th07cover.jpg|Cover of ''[[Perfect Cherry Blossom]]'', featuring Yukari's silhouette
File:Th07cover.jpg|Cover of ''[[Perfect Cherry Blossom]]'', featuring Yukari's silhouette
File:YukariPCB.png|Yukari artwork from ''[[Perfect Cherry Blossom]]''
File:GoMSigil-Yukari.jpg|Yukari's Sigil in ''[[The Grimoire of Marisa]]''
File:GoMSigil-Yukari.jpg|Yukari's Sigil in ''[[The Grimoire of Marisa]]''
File:Curiosities of lotus asia 11 01.jpg|Yukari on the chapter 11 cover of ''[[Curiosities of Lotus Asia]]''
File:Curiosities of lotus asia 11 01.jpg|Yukari on the chapter 11 cover of ''[[Curiosities of Lotus Asia]]''
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File:Cage in Lunatic Runagate CH8 19.jpg|Yukari in ''[[Cage in Lunatic Runagate]]''
File:Cage in Lunatic Runagate CH8 19.jpg|Yukari in ''[[Cage in Lunatic Runagate]]''
File:Th123YukariColors.png|Yukari's different color palettes from ''[[Touhou Hisoutensoku]]''. The 2nd one corresponds to her second color palette in ''[[Scarlet Weather Rhapsody]]'', while the 3rd one corresponds to her ''[[Immaterial and Missing Power]]'' palette
File:Th123YukariColors.png|Yukari's different color palettes from ''[[Touhou Hisoutensoku]]''. The 2nd one corresponds to her second color palette in ''[[Scarlet Weather Rhapsody]]'', while the 3rd one corresponds to her ''[[Immaterial and Missing Power]]'' palette
File:Th08YukariLastWord.png|Yukari artwork in her Last Word with blue ribbons from ''[[Imperishable Night]]''
File:Th123YukariSigil.png|Yukari's sigil from ''[[Touhou Hisoutensoku]]''
File:Th123YukariSigil.png|Yukari's sigil from ''[[Touhou Hisoutensoku]]''
File:WaHHYukari.png|Yukari as seen in ''[[Wild and Horned Hermit]]'' chapter 14
File:WaHHYukari.png|Yukari as seen in ''[[Wild and Horned Hermit]]'' chapter 14
File:WaHH07Cover.jpg|Yukari in ''[[Wild and Horned Hermit]]' volume 7 cover
File:WaHH07Cover.jpg|Yukari in ''[[Wild and Horned Hermit]]' volume 7 cover
File:FS07Cover.jpg|Yukari on the Vol. 7 cover of ''[[Forbidden Scrollery]]''
File:FS07Cover.jpg|Yukari on the Vol. 7 cover of ''[[Forbidden Scrollery]]''
File:TH155_Yukari_full.png|Yukari with a gap in ''[[Antinomy of Common Flowers]]''
File:Th155YukariColors.png|Yukari's different color palettes from ''[[Antinomy of Common Flowers]]'', the last two were added in v1.10
File:Th155Yukari2.png|Yukari's portrait from ''[[Antinomy of Common Flowers]]''
File:Th155Yukari3.png|Yukari's pre-battle portrait from ''[[Antinomy of Common Flowers]]''
File:Th155YukariColors.png|Yukari's colors from ''[[Antinomy of Common Flowers]]'', alongside with [[Ran Yakumo|Ran]] and [[Chen]].
</gallery>
</gallery>


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==Additional Information==
==Additional Information==
*A silhouette of Yukari occupies the front of ''[[Perfect Cherry Blossom]]''<nowiki>'</nowiki>s jewel case. Yukari also appears on the case of ''[[Immaterial and Missing Power OST]]''.
*A silhouette of Yukari occupies the front of ''[[Perfect Cherry Blossom]]''<nowiki>'</nowiki>s jewel case. Yukari also appears on the case of ''[[Immaterial and Missing Power OST]]''.
*For some reason, Yukari's appearance in spell card 222 in ''[[Imperishable Night]]'' is different from other characters. Instead of using her protrait from ''Imperishable Night'', a modified image from ''Perfect Cherry Blossom'' was used (she has blue ribbons instead). What is more strange is that the background used in the [[spell card]], which is also from ''Perfect Cherry Blossom'', uses Yukari's original cut-in image with red ribbons, although ''[[Shoot the Bullet]]'' and ''[[Impossible Spell Card]]'' also uses this. Yukari's sprite in ''Shoot the Bullet'' and ''Impossible Spell Card'' also sports blue ribbons.  
*For some reason, Yukari's appearance in spell card 222 in ''[[Imperishable Night]]'' is different from other characters. Instead of using her protrait from ''Imperishable Night'', a modified image from ''Perfect Cherry Blossom'' was used (she has blue ribbons instead). What is more strange is that the background used in the [[spell card]], which is also from ''Perfect Cherry Blossom'', uses Yukari's original cut-in image with red ribbons, although the three [[Shoot the Bullet|scene]]-[[Impossible Spell Card|based]] [[Violet Detector|games]] she appears in also use this. Yukari's sprite in the three scene-based games she appears in also sports blue ribbons.  
*She is the only Phantasm boss in the whole of the ''[[Touhou Project]]''. Her status as "8th boss", however, is matched by [[Komachi Onozuka]] and exceeded by [[Eiki Shiki, Yamaxanadu|Eiki Shiki]] (''[[Phantasmagoria of Flower View]]'' having 9 stages); [[Reimu Hakurei]] can also become a stage 8 or 9 boss in ''[[Phantasmagoria of Flower View]]'' (if playing as Komachi or Eiki respectively) or a stage 8 boss in ''[[Scarlet Weather Rhapsody]]'' (if playing as [[Tenshi Hinanawi]]).
*She is the only Phantasm boss in the whole of the ''[[Touhou Project]]''. Her status as "8th boss", however, is matched by [[Komachi Onozuka]] and exceeded by [[Eiki Shiki, Yamaxanadu|Eiki Shiki]] (''[[Phantasmagoria of Flower View]]'' having 9 stages); [[Reimu Hakurei]] can also become a stage 8 or 9 boss in ''[[Phantasmagoria of Flower View]]'' (if playing as Komachi or Eiki respectively) or a stage 8 boss in ''[[Scarlet Weather Rhapsody]]'' (if playing as [[Tenshi Hinanawi]]).
*In ''[[Scarlet Weather Rhapsody]]'', one of Yukari's spell card spawns a train to mow her opponent down. The graphic of the train is based on an actual existing train {{lang|ja|[[wikipedia:ja:長野電鉄3500系・3600系電車|長野電鉄木島線3500系]]}} ([[wikipedia:Nagano Electric Railway|Nagano Electric Railway]] Kijima line 3500 series), a train used to run in Nagano: [[ZUN]]'s homeland.<ref>[http://dic.nicovideo.jp/a/ぶらり廃駅下車の旅 {{lang|ja|ぶらり廃駅下車の旅 - ニコニコ大百科}}] the Nicopedia page of her spell card "Abandoned Line 'Aimless Journey to the Abandoned Station'" (Japanese).</ref>
*In ''[[Scarlet Weather Rhapsody]]'', one of Yukari's spell card spawns a train to mow her opponent down. The graphic of the train is based on an actual existing train {{lang|ja|[[wikipedia:ja:長野電鉄3500系・3600系電車|長野電鉄木島線3500系]]}} ([[wikipedia:Nagano Electric Railway|Nagano Electric Railway]] Kijima line 3500 series), a train used to run in Nagano: [[ZUN]]'s homeland.<ref>[http://dic.nicovideo.jp/a/ぶらり廃駅下車の旅 {{lang|ja|ぶらり廃駅下車の旅 - ニコニコ大百科}}] the Nicopedia page of her spell card "Abandoned Line 'Aimless Journey to the Abandoned Station'" (Japanese).</ref>
*In [[Antinomy of Common Flowers]], Yukari has an alternate color palette that resembles [[Ran Yakumo]]'s color scheme, one that resembles [[Patchouli Knowledge]]'s, another resembling [[Yuyuko Saigyouji]]'s, another that resembles [[Lunasa Prismriver]]'s.
*In [[Antinomy of Common Flowers]], Yukari has an alternate color palette that resembles [[Ran Yakumo]]'s color scheme, one that resembles [[Patchouli Knowledge]]'s, another resembling [[Yuyuko Saigyouji]]'s with Ran and Chen resembling [[Youmu Konpaku]], and another that resembles [[Lunasa Prismriver]]'s.


==Fandom==
==Fandom==
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Her personality is hard to understand; unlike other long-lived entities, she displays none of the bitterness commonly associated with old age. She is difficult to approach, but that's due more to her deviousness than any uneasy feeling that people may have around her.<br/>
Her personality is hard to understand; unlike other long-lived entities, she displays none of the bitterness commonly associated with old age. She is difficult to approach, but that's due more to her deviousness than any uneasy feeling that people may have around her.<br/>
She owns one [[shikigami]], and lets her shikigami do all her daily chores for her. Yukari herself always leads an easy life. From [[Ran Yakumo|that shikigami]]'s perspective, it's like her master is holding her hostage, so it's quite maddening.<br/>
She owns one [[shikigami]], and lets her shikigami do all her daily chores for her. Yukari herself always leads an easy life. From [[Ran Yakumo|that shikigami]]'s perspective, it's like her master is holding her hostage, so it's quite maddening.<br/>
The danger and potency of the power to manipulate boundaries is beyond imagination. In order to withstand her power, you need a [[youkai]] who are equally weird like Yukari, or a human who are able to withstand the pressure from Yukari's power.
The danger and potency of the power to manipulate boundaries is beyond imagination. In order to wield it, you'd have to either be a somewhat-weird [[youkai]] like Yukari, or someone who can withstand the power's pressure.


A [[shikigami]] is a potent weapon. Yukari treats hers like an item.
Her weapon is her [[shikigami]]. (Basically treated like a tool.)


:''Notes''
:''Notes''
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| text = 八雲 紫 (やくも ゆかり)<br/>妖怪/境界を操る程度の能力
| text = 八雲 紫 (やくも ゆかり)<br/>妖怪/境界を操る程度の能力
幻想郷の境の何処かに住む妖怪。非人間的で胡散臭い性<br/>格の持ち主。たまに人間が幻想郷に迷い込むときは、紫が<br/>結界に穴を開けることが原因だと思われる。<br/>妖怪の中でも強大な力を持ち、八雲藍などの式神を使役<br/>するが、むやみに人を襲うわけではない。面倒臭がりな一<br/>面もあり。  
幻想郷の境の何処かに住む妖怪。非人間的で胡散臭い性<br/>格の持ち主。たまに人間が幻想郷に迷い込むときは、紫が<br/>結界に穴を開けることが原因だと思われる。<br/>妖怪の中でも強大な力を持ち、八雲藍などの式神を使役<br/>するが、むやみに人を襲うわけではない。面倒臭がりな一<br/>面もあり。  
| translation =
| translation ='''Yukari Yakumo''' <br/> [[youkai]]/manipulation of boundaries<br/>
A youkai living somewhere in the boundaries of [[Gensokyo]]. Has an Inhumane and suspicious personality.<br/>
When [[human]]s sometimes wander into Gensokyo, it is thought that it is her who makes holes in the boundaries. <br/>
Though having a [[shikigami]], [[Ran Yakumo]] and is an extremely powerful being even within youkais, she does not prey on humans recklessly.<br/>
Has another lazy personality<br/>
}}
}}
{{hidden end}}
{{hidden end}}


{{hidden begin|title = Rough<ref>{{cite web|url=http://www.youtube.com/watch?v=YhHfhZ-J3Cc|title=Mag-Net! 第5回 東方Project|author=Mag-Net!|accessdate=11 September, 2011}}</ref>|titlestyle = background:lightblue; text-align:center}}
{{hidden begin|title = Rough<ref>{{cite web|url=http://www.youtube.com/watch?v=YhHfhZ-J3Cc|title=Mag-Net! 第5回 東方Project|author=Mag-Net!|accessdate=11 September 2011}}</ref>|titlestyle = background:lightblue; text-align:center}}
{{Profile Quote
{{Profile Quote
| image = [[File:MAGNet 20100502 1 Yukari.jpg|200px|Yukari Yakumo MAGNet interview]]
| image = [[File:MAGNet 20100502 1 Yukari.jpg|200px|Yukari Yakumo MAGNet interview]]
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[[pt:Yukari Yakumo]]
[[pt:Yukari Yakumo]]
[[ru:Юкари Якумо]]
[[ru:Юкари Якумо]]
[[vi:Yakumo Yukari]]
[[zh:八雲紫]]
[[Category:Characters]]
[[Category:Characters]]
[[Category:Characters in Perfect Cherry Blossom]]
[[Category:Characters in Perfect Cherry Blossom]]
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