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鬼譚奏鳴曲 Demon Tale Sonata
Abolished Symphony from the Sanctuary Demon Tale Sonata | |
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Album by dBu music | |
Released |
2008-12-29 (Comiket 75) |
Tracks |
12 |
Length |
45:55 |
Catalog No. |
DBCD-0011 |
Website | |
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Abolished Symphony from the Sanctuary Demon Tale Sonata (鬼譚奏鳴曲 Demon Tale Sonata Kitan Soumeikyoku Demon Tale Sonata) is a doujin album by dBu music released on 2008-12-29 (Comiket 75). It features instrumental arrangements of themes from Subterranean Animism.
Staff
- Arrangement
- どぶウサギ (dBu music)
- Production
- どぶウサギ (dBu music)
- Illustration
- 綾見ちは (疲労熊)
- Design
- Egma-03 (蓬莱の翠)
- Guitar
- わさもん (まったり堂)
- Photograph
- 廃墟デフレスパイラル
Tracks
- 01. 地霊達の起床 ~ Awaking (01:15)
- Awakening of the Earth Spirits ~ Awakening
- arrangement: どぶウサギ
- original title: 地霊達の起床
- source: 東方地霊殿 ~ Subterranean Animism
- 02. 封じられた妖怪 ~ Liberation!! (02:58)
- The Sealed-Away Youkai ~ Liberation!!
- arrangement: どぶウサギ
- original title: 封じられた妖怪 ~ Lost Place
- source: 東方地霊殿 ~ Subterranean Animism
- 03. 渡ル者ガ途絶エタ橋 (04:52)
- The People That No Longer Cross The Bridge
- arrangement: どぶウサギ
- original title: 渡る者の途絶えた橋
- source: 東方地霊殿 ~ Subterranean Animism
- 04. Green eyed jealousy (04:08)
- arrangement: どぶウサギ
- original title: 緑眼のジェラシー
- source: 東方地霊殿 ~ Subterranean Animism
- 05. 華の逆月大江山 (03:08)
- A Flower-Studded Sake Dish on Mt. Ooe
- arrangement: どぶウサギ
- original title: 華のさかづき大江山
- source: 東方地霊殿 ~ Subterranean Animism
- 06. 少女サトリ (04:53)
- Satori Maiden
- arrangement: どぶウサギ
- original title: 少女さとり ~ 3rd eye
- source: 東方地霊殿 ~ Subterranean Animism
- 07. 廃獄Lullaby (05:12)
- Deserted Hell Lullaby
- arrangement: どぶウサギ
- original title: 廃獄ララバイ
- source: 東方地霊殿 ~ Subterranean Animism
- 08. Corpse traveler (04:36)
- arrangement: どぶウサギ
- original title: 死体旅行 ~ Be of good cheer!
- source: 東方地霊殿 ~ Subterranean Animism
- 09. 劫火マントル (03:04)
- Hellfire Mantle
- arrangement: どぶウサギ
- original title: 業火マントル
- source: 東方地霊殿 ~ Subterranean Animism
- 10. 霊知の太陽信仰 ~ Shall we fuse ? (05:03)
- Solar Sect of Mystic Wisdom ~ Shall we fuse?
- arrangement: どぶウサギ
- original title: 霊知の太陽信仰 ~ Nuclear Fusion
- source: 東方地霊殿 ~ Subterranean Animism
- 11. 地霊達の帰宅 ~ A way home (01:49)
- Homecoming of the Earth Spirits ~ A Way Home
- arrangement: どぶウサギ
- original title: 地霊達の帰宅
- source: 東方地霊殿 ~ Subterranean Animism
- 12. 忌憚騒命曲 ~ Demon tale sonata (05:03)
- Modest and Boisterous Life Song ~ Demon tale sonata
- arrangement: どぶウサギ
- original title: ハルトマンの妖怪少女
- source: 東方地霊殿 ~ Subterranean Animism
Review
dBu returns with (what is apparently) his eleventh Touhou album. Like many of his previous Touhou works, the diversity in the music keeps the listener engaged instead of boring them with the same kind of music over and over. This time around, dBu seems to make use of newer, more interesting, sounds and effects. For example, in the tenth track (霊知の太陽信仰 ~ Shall we fuse?), you can occasionally hear a beepy sound reminiscent of video games playing along with the music. Other tracks features sounds of wind in caves, unusual synth effects, and others feature new instruments as well. Especially prominent in quite a few tracks is a violin. It really should be mentioned that this album almost has a more old European feel to it than most of dBu's other albums (then again, that's just me).
Overall, the tracks are diverse and very good. It was well worth waiting for the album's release in C75.
Standouts:
04. Green eyed jealousy
- This track features an excellent combination of violin and piano, accompanied by a jazzy snare-dominated beat. It gives the feelings of jealousy, but also has an old-style gambling feel to it. Much different from most of dBu's works.
06. 少女サトリ
- A very cool track. Opens with a combination of piano, pipe organ, and synth strings. Most of the song is dominated by piano, strings, and various synthesizer effects.
07. 廃獄Lullaby
- Even though it has a clear and loud drum beat, this violin, accordion, and piano centralized piece may have you asleep before you know it... and dreaming about dangerous danmaku battles.
12. 忌憚騒命曲 ~ Demon tale sonata
- This is an insane track, featuring many odd synth effects, an unusual beat, and a dominance of keyboard chords. Since parts of this song are in 7/8 time like the original, it may contrast with the other songs of the album.
Recommended to:
- Fans of SA's music
- Anyone who likes diverse music
- Anyone who likes hard/progressive rock
- Anyone who likes slower songs as well
Not recommended to:
- People who don't like hard/progressive rock
- People who don't like slow string and keyboards dominated pieces
- People who dislike much diversity in an album
--ArseneLupin3 20:10, 30 December 2008 (UTC)
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