Canon

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ZUN is the sole determinant of canon in the Touhou Project.

Canon refers to story material officially accepted as part of a fictional universe. In the Touhou Project, only works produced with ZUN's involvement are considered canon, as ZUN is the sole determinant of canon in the Touhou Project. These works are listed under "Games, Print Works and Music" on the main page.

Official Statements[edit]

Main article: Category:Interviews and Statements

While ZUN occasionally reveals additional lore via blogs, interviews & e-mails with fans, not all such statements are considered canon, as they may not be finalised and can be contradicted in later games or statements. A similar status applies to comments made by people who've collaborated on official works with ZUN. Additionally, ZUN has confirmed a secret background for the Touhou Project , as well as lore saved for future games.[1] This implies questions unanswered by official works or statement exist and are yet to be revealed.

Canonicity of Windows and PC-98[edit]

ZUN playing the fifth Touhou game Mystic Square.

The connection between the PC-98 era and the Windows era is a hot topic in the Touhou fanbase. In the english fanbase, the term "PC-98" refers to the first 5 games of the Touhou Project, whilst "Windows" refers to any official material (i.e. games, CDs & print works) created after the sixth Touhou game (Embodiment of Scarlet Devil). Though the PC-98 games were created by ZUN, he has stated that Highly Responsive to Prayers was simply a "study project",[2] and the PC-98 era can be ignored.[3][1]

PC-98 and Windows games share the same setting, though multiple contradictions exists. When there is contradictions, ZUN refers to the newer games as canon.[4] ZUN has stated most PC-98 characters no longer appear is due to the awkwardness of fitting them into later stories in light of the conflicts between PC-98 and Windows canon, and the gap in which they haven't been shown. ZUN has maintained consistently that he will not outright say that no PC-98 characters will ever return[4][5], potentially to cover the case that he could reuse some character in the future.

Not much information has been provided from the PC-98 series about the Touhou Project in general while on the other hand the Windows era clearly does. The setting of the PC-98 era is in an Eastern Country and the setting of the Windows era is in Gensokyo. Compared to Windows, the player travels through dark and gloomy places in the PC-98 such as Makai and the Fantasy World (which both aren't part of the same world of the Eastern Country), where the player doesn't tend to see a lot of clear world scenery as they would in the Windows era. This would be due to the 16-bit colour graphics the PC-98 holds, whereas in the windows era, the player can travel through wonderful scenery with high graphics and vigourous, yet magnificent danmaku. Additionally, it should be noted that the stories of PC-98 games aren't as serious as the stories from the Windows games, since the characters will often break the fourth wall and have unimportant conversations amongst each other.


Is there an actual connection?[edit]

ZUN has admitted that there are a few connections with the two sides of canon.[4] For instance, there's been a few hints that may show carry-overs from the PC-98 canon, such as by Alice Margatroid in Perfect Cherry Blossom and by Reimu Hakurei in Phantasmagoria of Flower View in Yuuka Kazami's scenario. ZUN has stated that "nothing particular has changed" and that the PC-98 setting it still lives.[3]

The characters who have appeared in both the Windows canon and the PC-98 canon are Reimu Hakurei (with her Yin-Yang Orb), Marisa Kirisame, Alice Margatroid and Yuuka Kazami. However, they've each got significantly different appearances, personalities, and background stories that somewhat doesn't connect with the PC-98 era. Additionally, ZUN has released five music CDs within the Windows era under the name Akyu's Untouched Score that are original soundtracks from the PC-98 games, along with comments on the PC-98 music.

A possible linkage between the two is through the childhood of Marisa and Reimu. Chronologically, Curiosities of Lotus Asia Chapter 22's first half states that Marisa only started using star magic after 2001, while Marisa's strategy guide in Story of Eastern Wonderland's omake says her third attack uses star magic, although that is just one attack. However, by the time Phantasmagoria of Dim.Dream takes place, many of her attacks use stars. Marisa and Reimu are indirectly referred to as "children" in Chapter 22's first half (chronologically: 2001), and Marisa is noted as a child in Lotus Land Story's manual, as well as Marisa and Reimu sharing a similar age. Although ZUN has stated he doesn't want to give specific ages to those two, the chronology from the two canons becomes more reasonable if Lotus Land Story took place much later than 1998. Additionally, Reimu's profile states that Embodiment of Scarlet Devil, which takes place on 2003/08/12, is chronologically not too far from Mystic Square.

References and carry-overs[edit]

Mima's appearance on Akyu's Untouched Score vol.4 cover.

There have been a number of references and carry-overs to the PC-98 canon within the Windows canon. The following is a list of those possibilities of references (NB: some speculation is involved):

  • Mima appeared on the cover of Akyu's Untouched Score vol.4.
  • A reference was made to Mima in Curiosities of Lotus Asia Chapter 25, where Reimu Hakurei comments that the Hakurei Shrine was once taken over by an evil spirit for its god (something that Mima, an evil spirit, did). The fact that Mima isn't mentioned by name, however, might mean it wasn't Mima.
  • ZUN mentioned in at least two interviews that Genjii is "probably living in the lake at the back of the shrine."[5][2] In Strange and Bright Nature Deity Chapter 12, when Reimu and Marisa Kirisame were talking about "glowing moss," Reimu said it would be nice to transfer it to the pond in the back of the Hakurei Shrine and Marisa responds that she could make it grow there on the turtles' backs. It's possible that one of them is Genjii out of those turtles.
  • In Perfect Cherry Blossom, Alice Margatroid has made reference to Reimu saying "Long time no see" and "At last, former friend, we meet again. Have you only brought me your life as a gift?" which could be referring to their battle in Mystic Square's third stage. When she says "your life," it could be referring to Alice's title from Mystic Square which was "Witch of Death".
  • In Phantasmagoria of Flower View, Reimu quoted "Everything went back to normal when I defeated you back then!" indicating to have had a battle with Yuuka Kazami already. It's most likely referring to their battle in Lotus Land Story. In Yuuka's article in Perfect Memento in Strict Sense, Hieda no Akyuu stated that Reimu has exterminated Yuuka several times (although saying it's "probably bogus"), in which Lotus Land Story may have been one of those times.
    • On a plus note, Yuuka also makes a win quote to Marisa that she's "grown up quite a bit", since Marisa was officially known to be a child in the PC-98.
  • Reimu's theme "Maiden's Capriccio" in Lotus Land Story, as well as Marisa's theme "Love-coloured Magic" in Story of Eastern Wonderland was arranged in the game Imperishable Night. Also, the music comments for Marisa's theme "Love-colored Master Spark" stated that Marisa had five themes when the game was released, indicating that the others are from Story of Eastern Wonderland, Phantasmagoria of Dim.Dream, Lotus Land Story, and the Seihou Project game Shuusou Gyoku (since Immaterial and Missing Power is chronologically before, but released after Imperishable Night).
  • An hidden quote by Reimu in Embodiment of Scarlet Devil appears in-game stating "It's been a while since my last job."
  • The Yin-Yang Orb has appeared in every game with Reimu, but it's unknown if it still has the same power as it did in the PC-98, as well as been the greatest treasure of the Hakurei Shrine.
  • In Oriental Sacred Place, a ghost similar to bakebake appears on a map that Sunny Milk was holding. It's unknown if it was meant to be a bakebake.
  • In Highly Responsive to Prayers, it was stated that the Human Village was attacked by demons. The Human Village was later shown as a stage location in Imperishable Night and again in Hopeless Masquerade.
  • Undefined Fantastic Object appears to hold a good number of references back to the PC-98 as followed:
    • Makai made its first post-PC-98 appearance this game, but on how it's even the same location is unknown. Both Reimu and Marisa appeared to be surprised when they heard Minamitsu Murasa said they were going to Makai, whereas Sanae Kochiya who appeared confused, wasn't. Also, Makai was again referenced in Symposium of Post-mysticism, providing more information.
    • Byakuren Hijiri used a spell card that strongly resembles one of Shinki's attacks, along with her Lotus Butterfly acting similar in appearance (and in two or three attack patterns) to YuugenMagan.
    • Nue Houjuu appearance as a ball of light has similarities to the Mysterious Orb; their appearances are identical, and both drop items when leaving the screen, each ending with an extra life. The fanbase theorises these two to be the same.
    • Nazrin's reappearance as a later stage midboss resembles Louise's reappearance as a later stage midboss, both being stronger.
    • Although possibly a coincidence, Murasa's outfit bares a resemblance to Chiyuri Kitashirakawa's.
    • Marisa commonly used a wand in the PC-98, and was seen with one again in Undefined Fantastic Object, which is so far the only Windows game where she is seen with one.
  • The Hakurei Shrine was also returned to the Windows era. Due to ZUN saying that Genjii's probably living behind the shrine and that the shrine has Reimu whose the same character in both PC-98 and Windows, it's indeed the same location from the PC-98.
  • ZUN was asked if Yuki and Mai were killed in Mystic Square. ZUN stated that they didn't and recovered over time. They were also compared to Sakuya Izayoi on their species.[1]
  • Shinki appeared in the fangame Magus in Mystic Geometries, with her theme composed by ZUN. the fact that this is her official theme is debatable.

Fandom[edit]

Within the fanbase, various attempts have been made to try to link the PC-98 and Windows together, which at a lot of times the two canons seem to chronologically fit, but may also involve conspiracy theories and speculations based on canon information (such as believing that Mima and Shinki are Marisa's and Alice's mother respectively). Depictions of PC-98 characters carried over to the Windows canon as if it's one big project – despite ZUN's comments on the PC-98 – is common in derivative works, along with treating "Eastern Country" being a synonym with "Gensokyo".

On the other hand, it's also common in derivative works to depict PC-98 and Windows versions of the same characters to be separate people, despite ZUN's affirmation that they are the same. It's also taken into account of viewing the two canons as having a setting in completely different worlds, landmarks or dimensions, with one example mocking this is Touhou Mother.

Canonicity with other works[edit]

Seihou Project[edit]

The appearances of some Touhou Project characters in the Seihou Project are probably not canon, since there are no references to them in Touhou works, and Seihou itself isn't Touhou, and moreover these instances were merely called "guest appearances". The official ownership of the Seihou Project is the Doujin circle "Shunsatsu sare do?", who too branched away from Amusement Makers just like Team Shanghai Alice.

The guest appearances occurred before Embodiment of Scarlet Devil was released, which is when ZUN specified that everything canon was "swept clean" in order to start over. However, the accompanying story text to Reimu's theme in Shuusou Gyoku, which was included in ZUN's Dolls in Pseudo Paradise CD, mentions a girl that "doesn't look like a human or a youkai" heading to the Hakurei Shrine. This could be referring to VIVIT, who is neither of those and is a robot, heading to the shrine in Shuusou Gyoku Extra stage.

Project Blank[edit]

The official ownership of Project Blank is the Doujin circle RebRank, who too branched away from Amusement Makers just like Team Shanghai Alice and "Shunsatsu sare do?". The whole series had no involvement from ZUN whatsoever.

Two members from "Shunsatsu sare do?" (Ponchi and Yoko(blankvision)) have participated in the making of Samidare and RefRain. There appears to be some connexions between Project Blank and the Seihou Project. On the Extra Stage of Samidare, VIVIT was looking for the holy grail for her master, Erich. She said she has to find it "today". She was also looking for it on Shuusou Gyoku's Extra Stage, also stating "today" when she met Marisa Kirisame and Reimu Hakurei at the Hakurei Shrine.

Uwabami Breakers[edit]

The official ownership of the game Uwabami Breakers is The Drinking Party, in which ZUN had involvement in taking the hardest job on basing the game's engine off Mountain of Faith, composing Amakasu Barley Tenji's theme and leaving official profiles for each character. Although the game has got no canonicity towards the Touhou Project, it's got connections.

The Twilight Bar Room is thought to be located in the Touhouverse's Outside World because of Tatsumi Hakkaisan' official profile about joining the SDF. Adding to this, it's possible Amakasu, Tatsumi and Rumi Arie knows Gensokyo's existence. Amakasu's favourite line is "You call that danmaku? That fight before was way worse, man" and the fact that all said characters used the spell card system that's only created for Gensokyo. It's unlikely Isami Asama also knows about it, since she doesn't use the spell card system and that as she initially goes to the Twilight Bar Room because of a story her boss told her where if you drink there until morning, you'd see "a mysterious world of curtain fire", possibly referring to Gensokyo.

Multiple playable routes[edit]

When games have multiple playable characters (PCs) advancing through the same levels, the question of which characters did what to resolve the incident becomes ambiguous. However, in in an answer to a question in 2003/12 on the former Gensou Bulletin Board, ZUN has said that when Reimu and others are defeated, they challenge again, indicating that the playable characters probably challenged again several times before finally defeating the last boss.

Many fans assume that Ending #1 in all games is what actually happened (although there's no proof to this other than the numbering), but if this is the case, then Reimu has won all of her fights except one, against Suika Ibuki in Immaterial and Missing Power. Some fanworks assume that all of the PCs participated in the incident simultaneously, but fought different enemies at various times, the main priority among fan creators usually being to support the most popular character relationships. In Embodiment of Scarlet Devil, for instance, Reimu x Remilia Scarlet, Marisa x Patchouli Knowledge and Marisa x Flandre Scarlet became the most popular pairings. Many fanmade reconstructions of the game's events therefore depict Reimu and Marisa traveling to the Scarlet Devil Mansion together, and then splitting up so that Marisa fought Patchouli, Reimu fought Remilia, and then Marisa fought Flandre sometime later in the Extra stage.

References in the dialogue and afterwords suggest that indeed all PCs set out to solve each game's incident, although in some games this is explicitly contradicted in the manual where it sometimes says, depending on which character you choose, only one goes out to investigate. Similarly, in Imperishable Night, only one youkai team and one human team are said to investigate.

In the case of Scarlet Weather Rhapsody, most of the playable characters' storylines refer to events that happened in other playable characters' storylines, making it possible to deduce the order in which they occurred, detailed in Scarlet Weather Rhapsody/Timeline/Temp (Horizontal Version).

Known Canonicity of Playable Routes[edit]

Embodiment of Scarlet Devil[edit]

According to Akyuu, Reimu resolved the Scarlet Mist Incident on her own.[6]

Perfect Cherry Blossom[edit]

Akyuu records that Reimu resolved the Spring Snow Incident[6], but this does not exclude the possibility that Marisa and/or Sakuya may have also been involved.

Mountain of Faith[edit]

Strange Creators of Outer World volume 4 revealed that Marisa has never fought Suwako.[7] By deduction, Reimu is the canon route for the extra stage of Mountain of Faith.

Subterranean Animism[edit]

Symposium of Post-mysticism reveals that Marisa was the one who went underground to resolve this incident.[8]

Unidentified Fantastic Object[edit]

In an interview with Nae Radio on September 9th, ZUN confirmed Marisa B to be the canon ending because it directly connects to the extra stage.[9]

Ten Desires[edit]

In Wild and Horned Hermit Chapter 9, Kyouko recalls "that shrine maiden" (shown to be Reimu) attacking her and then entering the mausoleum. Marisa and Sanae are also pictured off to the side in her memory of the incident, though she doesn't mention them.

Double Dealing Character[edit]

In Wild and Horned Hermit Chapter 19, Reimu complains that nobody noticed that she resolved the incident- or that there even was an incident- and so decided to hold a victory party to make it known. She also mentions that it was harder than expected because she was unable to use her purification rod, indicating that Reimu-B is the canon storyline. Marisa and Sakuya are also pictured posing beside Reimu when she complains to Kasen about lack of recognition for resolving the incident, so they may have also had some involvement in resolving the incident, with Reimu just taking most of the credit.

Legacy of Lunatic Kingdom[edit]

In an interview, ZUN revealed that the canon ending is a no-miss clear in Legacy mode (the heroine elects to not use the Ultramarine Orb Elixir, but still manages to not get hit).[10] In Chapter 5 of Visionary Fairies in Shrine, Reimu talks to Eirin about meeting Clownpiece on the moon and Hecatia's involvement with Junko, but Eirin was unaware of the latter, which would contradict at least Reisen's extra story, and confirms at least Reimu's story.

Hidden Star in Four Seasons[edit]

In Chapter 42 of Wild and Horned Hermit, it's revealed that Reimu, Marisa, and Aya's stories are at minimum partially canon. Aya and Marisa both mention visiting the Ushirodo-no-Kuni, Marisa in particular mentioning getting there through the back of a jizo who lives in the forest and hearing from Reimu that she did the same. Later on, in Curiosities of Lotus Asia Chapter 31, Narumi personally corroborates Marisa's tale. Aya also reminisces about battling Okina Matara's attendants Satono Nishida and Mai Teireida. However, the Hakurei Shrine managed to get most of the credit for actually solving the incident. Chapter 8 of Visionary Fairies in Shrine has Eternity Larva tell the Three Fairies of Light a truncated version of Cirno's scenario. This makes Hidden Star in Four Seasons the first game to have all playable routes confirmed to be canon.

Fourth wall[edit]

Kogasa saying "Surprise~" on the CD of Undefined Fantastic Object, an example of breaking the fourth wall.

The fourth wall is an imaginary boundary between any fictional work and its audience. When a character within the work is speaking directly to the audience or is aware that they're just a character in a fictional work means that they're "breaking the fourth wall".

In the Touhou Project, there have been instances of the fourth wall been broken. They should be considered non-canon to the work itself.

Examples include:

Secondary Material[edit]

Material that may be findable on the Internet that involves memes, jokes or other interesting details on the Touhou Project should definitely be non-canon; the "Fandom" section of each character and location page has information on these, with rare exceptions taken with a grain of salt for canonicity. Fandom may have information on conspiracy theories that only base the certain theory on official information, and extremely rarely such theories have been confirmed to either be true or false. However, secondary sources such as the interview between KAIRU and ZUN may be handy for canon information.

For encyclopaedic information on the Touhou Project, online wikis' main objective is to provide the fanbase with detailed information on the work itself. However, since they're secondary sources written by fans of the project, information may not be 100% reliable. Additionally for the western community, this would be due to the accuracy a translation needs to be in order for it to be reliable.

Doujin Works[edit]

Fanworks that are based the Touhou Project, most of which consist of art, anime, music, games etc., are also completely non-canon. This includes the game Concealed the Conclusion, with its premise about the fundamental nature of Gensokyo, and the Touhou Project Side Story animated video, whose depiction of Lunarian civilization was contradicted by Silent Sinner in Blue a few months after the video's release. The fan comics included in the official fanbook Bohemian Archive in Japanese Red and the semi-official fanbook Seasonal Dream Vision should also be considered non-canon (with the exception of Extra of the Wind, which was written by ZUN), despite appearing together with some of ZUN's work.

Groups or Individuals who produce both doujin and official work[edit]

ZUN collaborates with established doujinshi circles and artists to illustrate his official print works and games. However, even if an artist or circle has worked with the Touhou Project, other works by the same circole in which ZUN did not participate are non-canon. For example, Aki★Eda is the artist for the official Touhou manga Silent Sinner in Blue, but the storylines she introduces in her self-produced doujinshi, such as the Alice x Patchouli pairing in the Plastic Heart series, shouldn't be considered canon. Twilight Frontier's had collaboration with creating four games in the Touhou Project, but other Touhou games by that circle such as New Super Marisa Land and MegaMari are also non-canon.

Also note that, despite being considered an official Touhou work, the canonicity of Inaba of the Moon and Inaba of the Earth may be somewhat debatable, both due to its slightly OTT comedic gag nature, and due to ZUN reportedly being only loosely involved in its creation. Due to the fact that some character relationships, like the one between Fujiwara no Mokou and Kaguya Houraisan, can be gleaned from Inaba of the Moon and Inaba of the Earth, it's still a good (if unreliable) source by which to gauge their relationship when compared to other doujin artists like Tohonifun. Several events in the comic were also referenced later in official works (the fast growing bamboo in Touhou Hisoutensoku's victory quotes, or Tewi Inaba's colored rabbits scam in Oriental Sacred Place, for example), although these could just be shout-outs.

According to ZUN in an interview on Nae Radio, ZUN merely gave rough instructions on "the usuals and conclusions," as well as which characters should show up, leaving the rest to the artist. In this regards, one could possibly consider the rough outline of the events to be canon, as it was ZUN himself that decided the conclusions and the characters that should appear, but it isn't absolutely conclusive.

ZUN's Contributions to Doujin Games[edit]

ZUN in the fangame Touhou Unreal Mahjong.

ZUN has also worked with Touhou fanworks, in which those that've had involvement by him ought to be taken with a grain of salt. Such occurrence could be called "fanon", where for example, ZUN had involvement in the completely unofficial Doujin game Magus in Mystic Geometries. Shinki made an unofficial appearance in the game, but ZUN composed her theme in the game (AN ORDEAL FROM GOD). This is the only thing ZUN did in this game, but whether it's an official theme to Shinki is debatable. However, because it was made by ZUN, fans will generally classify it as Shinki's second theme.

This also occurs with Rinnosuke Morichika's theme (Curious Shanghai old tile) in Touhou Unreal Mahjong: ZUN also had involvement with this game and composed his theme. Rinnosuke's appearance as a playable character in the game is unofficial, but it's taken as the closest thing to be classified as his official theme. Also, ZUN himself appears as a playable character in the same game, showing a real image of him.

Non-Canon Characters[edit]

These are a list of characters that shouldn't be considered canon towards the Touhou Project:

  • There are hundreds of Touhou OCs (Original Characters) scattered around the Internet, mostly often ignored. Some fan-created characters, such as those in the Danbooru listings[11], have become memes in Japanese (and in the case of Meimu, Chinese) Touhou fandom. They're popular enough to be drawn by multiple artists, but should definitely not be considered canon. See fan-made characters for more information on the most notable ones.
  • All material relating to yukkuris is non-canon.
  • The canonicity of Rin Satsuki is ambiguous: as a character whom ZUN originally intended to include in Embodiment of Scarlet Devil but then deleted before the release of the game, she's never appeared or been referred to in any canon Touhou work. She has occasionally appeared in fanworks.
  • Multi, despite appearing in Phantasmagoria of Dim.Dream, should be considered non-canon since she's not a character created by ZUN.
  • Beerko so far hasn't made any connexion with the Touhou Project and thus is non-canon, despite being a creation by ZUN.
  • Fan artists may make non-canon speculations about the appearances of characters with no official artwork. For instance, many people assume that Myouren Hijiri had the same purple-to-brown gradient hair that his sister Byakuren Hijiri does, but since he was a Buddhist monk, it's more likely that his head would have been shaved.

References[edit]