Consciousness' Unity of Opposites/Music

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Music Room[edit]

Title screen
向着喧嚣的寂然之世 ~ Narration of Deceased A Silent World Looking Towards Cacaphony ~ Narration of Deceased 残实

被拜托了「写的不要太过于东方喔」,

所以东方标志性的主旋律我就好好地藏在曲子里面了。

总之是以浓厚的历史感与神秘感为印象写下的曲子,

听的时候能有一步一步探寻深秘的感觉就好了吧。

——残实


「从死者的言语中构想出的寂然之世」,就是这样的感觉了。

不管是低声的诉说还是怨气的发散,都有被倾听着,

是属于故去者之间的浪漫吧。

但是本次异变中的怨灵数量真是多得过分(充满自知之明的吐槽)。

——狸糕子

I was told to "not make it too Touhou",

so I hid the iconic Touhou main theme in the track.

Anyways, the track was composed with a heavy impression of "history" and "mystery",

when listening to it, you should have a feeling of slowly uncovering a mystery step by step.

——残实


"A silent world constructed from the words of the dead", that kind of feeling.

Both the soft, speaking voices and the spreading air of resentment are being heard,

as a sort of romance among those that have departed.

But the number of vengeful spirits in this time's incident is a bit too high (self roast).

——狸糕子

Stage 1 Theme
散雪之夕行 Evening Walk Among the Scattered Snow Pidove

第一面的主题曲。

(作为开场曲似乎是不太常见的风格。

黄昏时刻大家都会这样吧,不知为啥就不想行动了。

这可怎么行,故事好像讲不下去了,所以要像副歌的小号一样啊。

不过为什么是我在说这些呢,

对啊为什么?)

——Pidove

Stage 1 Theme.

(This is a bit of an uncommon style for the opening track.

Everyone's like this during dusk, for some reason no one wants to do anything anymore.

But we can't have that, or else the story can't go on. So that's why we have to be like the trumpets in the chorus.

But anyways, why am I the saying these things...

yeah, why?)

——Pidove

Stage 1 Boss - Chiamaki Tenseibou's Theme
Glaciated Gloam ~ 未鸣七弦 Glaciated Gloam ~ The Unresonant Seven Strings 灵猫子

天青坊 知雨姬的主题曲。

没有信仰的神明难以逃离消失的命运,因此是一个充满悲伤感的人物,

因此在曲子的编配上比较压抑,不过小号仍然能把整体的情绪变得激昂了。

——灵猫子

Chiamaki Tenseibou's Theme.

A God without faith cannot escape their fate of disappearance, so she's a character laden with sorrow,

so in the track, the arrangement was made more restrained.

But the trumpets are still able to make the mood as a whole quite exciting.

——灵猫子

Stage 2 Theme
星潮莳夜歌 ~ Aflame Inviolable Illusion Nocturne of the Swelling Celestial Tides ~ Aflame Inviolable Illusion H2SO4

第二面的主题曲。

月夜的通路,在晚樱的点缀之下显得尤为静谧。

所以就尝试用柔和的曲风写成了相当安静的曲子。

用大提琴、排箫、笛子等等乐器写了很多条交织在一起的旋律线,

并用能想到的最优美的旋律之一用来当每一段的主旋律。

听着仿佛就像能看到天边的银河在静静地流转。

——H2SO4

Stage 2 Theme.

The moonlit road under the embellishment of the night sakura is especially tranquil,

so I tried using using a more tender style and composed a track that was relatively peaceful.

I used cello, pan-pipes, dizi, and similar instruments to compose many interweaving melodic lines,

and used the most beautiful melody among them as the main melody of each section.

Listening to it, you can imagine seeing the Milky Way flowing quietly high in the sky.

——H2SO4

Stage 2 Boss - Annika A.T.B. von Hohenheim's Theme
赤蔷薇的瓶中庭 ~ Demiurge of Gloriosa Bottled Garden of the Scarlet Rose ~ Demiurge of Gloriosa H2SO4 & 灵猫子

安妮卡·A·T·B·冯·霍恩海姆的主题曲。

因为和炼金术士和蔷薇相关,

便尝试在写的时候融入了一些西洋的风格——大键琴、手风琴和提琴。

可以说是一首很特别的在前3面的boss曲了,

激烈的古典和合成器,简单而优美的旋律都预示着要面对的这个家伙似乎不简单。

——H2SO4

Annika A.T.B. von Hohenheim's Theme.

Because her character is related to alchemy and roses,

I tried to add some western style -- organ, accordion, and the strings.

It's quite unique for an early-game boss.

An exciting mixture of classical and synthesized instruments and a simple yet elegant melody both hint that there's more to this character than meets the eye.

——H2SO4

Stage 3 Theme
樱下的雅集 ~ Sacrificial Poem Distinguished Assembly Under the Sakura ~ Sacrificial Poem 小闰_YAN

第三面的主题曲。

通往灵界的路上总是人迹罕至呢。这也无怪,本身那里就不是活人应该前往的地方

——不过幻想乡并不存在这样的约束就是了。

可真的踏上这条路的话,多少会眷恋人世吧。

怀着这种想法,我在最初写这首曲子时希望写的充满空灵感与怀旧感,

在这种氛围下穿梭在弹幕之中。

希望真的有这种感觉ww

——小闰

Stage 3 Theme.

The road to the netherworld is devoid of humans, as always. That's to be expected, seeing as that isn't a place that the living are supposed to go ---- but those sorts of restrictions don't exist in Gensokyo.

But once actually on this road, most will still feel a sense of longing for the world of the living.

With that thought in mind, I hoped to compose a track full of ethereal and nostalgic feeling.

I hope you indeed have this feeling when dodging the danmaku with this atmosphere, lol.

——小闰

Stage 3 Boss - Fujiwara no Ayane's Theme
探韵夷社的光君 ~ Miscanthus Love lyrics Lord of Light Who Samples Foreign Melodies ~ Miscanthus Love lyrics SD

藤原 文祢的主题曲。

以带有海鲜堂味的和风为目标,但最终还是依照自己的想法来了…

试着写出一种悲剧的浪漫感,应该多少有几分了吧。

把历史用歌人的风格展现出来,那种感觉,大概。

——SD

Fujiwara no Ayane's Theme.

My goal was Kaisendo-like Japanese style, but in the end I went my own way...

I tried to go for a feeling of tragic romanticism, I think there's some of it there.

The feeling of presenting a singer's style with history. That kind of feeling, I guess.

——SD

Player's Score Theme
红雪驻雀的缘歌 ~ Player's Score Karmic Song of Red Snow and Perching Sparrows ~ Player's Score SD

疮痍界面的主题曲之一。

那,先祝各位疮痍愉快了。

旋律借鉴了3BOSS曲,加入了一些Swing的元素,变得更加闲适……

说起来好久没去过咖啡厅了,改天一定去。

——SD

One of the themes for the game-over screen.

Firstly, congratulations on game-overing.

The melody was borrowed from the Stage 3 boss, with some swing elements, thus becoming more idyllic...

Now that I think of it, it's been a while since I've been to a coffee shop. I'll go soon.

——SD

Notes[edit]